Like few others, the composer Carlos Simon’s artistic work has been subject to the changing political winds at the Kennedy Center. He came to the institution in 2021 as part of an industry-wide reckoning with legacies of racism. He will leave amid unprecedented turmoil and with the Center itself closed for Trumpian renovations. We spoke recently to discuss that experience, his new work to celebrate the 250th anniversary of U.S. independence, and his love of Black American culture.
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… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York... More by Jeffrey Arlo Brown
