The first thing one sees in Gwendolyn Toth’s apartment on the west side of Manhattan, above Lincoln Center, is the keyboards: Three of them wrapped up and standing on their ends inside the front door. In the living room, there are several more, some ready to travel, some available to play—seven in all, including a virginal, fortepiano, and several harpsichords.
Make Up The Notes
An interview with Gwendolyn Toth
