Posted inInterview

The Eternal Factor

New Year’s and third lockdown resolution: trying to listen to and rank every Schubert song. (I’m not done yet, but I attempted something similar for the Scarlatti sonatas.) Because my impressions are very subjective—not to say flat-out wrong—I also decided to get a more holistic view of this oeuvre, which numbers somewhere around 700 lieder, […]

Posted inHistory

The Pianist who Killed Stalin

In his 2017 film “The Death of Stalin,” Armando Iannucci links the titular event to a letter penned by pianist Maria Yudina: “Joseph Vissarionovich Stalin, you have betrayed our nation and destroyed its people. I pray for your end and ask the Lord to forgive you. Tyrant.” In Iannucci’s history-as-farce, the dictator reads this note […]

Posted inPlaylist

A Goldberg Variations Playlist

Writing about my musical path for the New York Times last month, I noted that the one strand of continuity for me, between instruments and repertoires, was Bach’s Goldberg Variations. Part of that continuity was my dissatisfaction with the work. Don’t get me wrong, the Goldbergs are incredible. But, from piano to harpsichord to organ, […]

Posted inEssay

On the Other Hand

In the days following Leon Fleisher’s death, at the age of 92, I’ve found myself listening to his Bach. They’re few compared to the pianist’s more notable repertoire of Beethoven and Brahms, but two can be found on his 2004 album, “Two Hands.”   It was a recording that was also something of a rebirth (how […]

Posted inRankings & Roundups

Piano Entanglements

In the spring, while stuck at home avoiding the coronavirus, I read Lea Singer’s forthcoming novel, The Piano Student, which tells the story of Vladimir Horowitz’s affair with a 23-year-old male protege, Nico Kauffman. Drawing from Horowitz’s actual letters to Kauffman, Singer depicts a forbidden relationship in which Horowitz vacillates between ardently declaring his love […]