Posted inOpinion

The Hands, Distracting

There’s an image embedded in my head though now lost in the depths of social media. It’s from a minor league baseball game, a promotional night where fans made their own signs and paraded them around the field. And there it was, an ur-meme: “Give Me Ambivalence or Give Me Something Else.” That’s resurfaced in […]

Posted inInterview

Switch Sounds Upside Down

Ron Carter is one of the titanic bassists in the history of jazz. Raised in Detroit, he started playing the cello, then added the bass, training as a classical musician at the Eastman School of Music in Rochester, New York, and then the Manhattan School of Music. While still studying, he started playing jazz in […]

Posted inEssay

Opera At the End of the Earth

Can you name a monumental four-opera series that brings together an extended, related cast of characters involved in mysterious and spiritual quests? How about a Great American Novel? Now, how about an artist who created both?   The answer is the great American composer Robert Ashley, who died in 2014 just shy of his 84th birthday, […]

Posted inEssay

The Black Modernism of American Music

How many years should pass, in polite society, before a country is allowed to have its own national style of classical music? In 1939, over 150 years after the Declaration of Independence, Leonard Bernstein began his senior thesis at Harvard with the statement, “I propose a new and vital American nationalism.” In the essay, “The […]

Posted inInterview

“We Disrupt What We Love”

On November 30, the opening night of the Metropolitan Opera’s revival of “Tannhäuser,” we had reached the engrossing song contest in the Wartburg Castle from Act II. Baritone Christian Gerhaher, making his house debut in the role of Wolfram, was singing “Blick’ ich umher,” the character’s song on courtly love. As the music and libretto […]

Posted inInterview

Tender Transitions

Nicole Mitchell is a leading flutist in jazz, a player with one of the strongest senses of swing there is, either inside a beat or playing freely. Her thematic albums and projects like “Mandorla Awakening” and “EarthSeed” are inspired by, and develop, Afrofuturist ideas that she first discovered through the great speculative fiction writer Octavia […]

Posted inInterview

The Beautiful Moment

Wadada Leo Smith plays the trumpet with a brilliant, forceful sound and has been a major creative figure in jazz for over 50 years. This century, his importance and prominence as a composer have grown. His beautiful and moving large-scale piece, “Ten Freedom Summers,” made him a finalist for the Pulitzer Prize in Music in […]

Posted inInterview

Reserve and Release

Jeremy Denk may not have as high a profile as other classical pianists, but he has a deep range of accomplishments both inside and outside of music. Last year, Nonesuch released his latest recording: Mozart Piano Concertos with the St. Paul Chamber Orchestra (he plays No. 20 and 25, and the Rondo in A minor, […]

Posted inReport

How to Eat

One chapter in Virgil Thomson’s 1939 book, The State of Music, is titled “How Composers Eat, or Who Does What to Whom and Who Gets Paid.” Thomson identified the subsequent means both clearly and derisively: “A surprisingly large number of composers are men of private fortune… the number of those who have married their money […]

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