A few weeks ago I interviewed Jennifer Walshe via Skype; I was in Berlin, she in her office in London. That week Walshe’s work was to be recognized with an Innovation award from the British Association of Songwriters, Composers and Authors (BASCA), and she was also looking ahead to coming to Berlin in January for performances at the Ultraschall Festival. I asked Walshe about her multimedia focus, her relationship with text and fiction, and the influence of the strange zeitgeist on her artistic goals.


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