When the filmmaker Ingmar Bergman died, on July 30 2007, I was at the Universidad del Cine in Buenos Aires. It was a cold day, and strange: we had lost the director Michelangelo Antonioni, too. Some of my fellow students and I smoked cigarettes outside. I thought of the character of the Knight in Bergman’s film “The Seventh Seal,” and Giuliana, from Antonioni’s “Red Desert,” walking among the fabrics, and wondered: what would their versions of the afterlife be like?
The Yellow Suitcases
An interview with Jüri Reinvere
