“Worthy gentleman, and my loving countrymen,” wrote the English lutist and composer John Dowland in the introduction to his 1612 song cycle “A Pilgrims Solace,” “I have been long obscured from your sight, because I received a Kingly entertainment in a foreign climate…Some part of my poore labours have found favour in the greatest part of Europe.” Dowland had earned success as a musician at the court of King Christian IV of Denmark. But he still felt divided: his second place of work “could not attaine to any (though ever so mean) place at home.”
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