Posted inInterview

Objective and Inner Realities

Last August, conductor Vitali Alekseenok flew from his home in Germany (where he divides his time between Weimar and Munich) to his native Belarus. There, he took part in both the national elections and the subsequent protests against the government of Alexander G. Lukashenko.  Despite the brutal police violence he witnessed, Alekseenok wrote in an […]

Posted inInterview

The Time Remaining

On March 25, pianist Lars Vogt wrote on Twitter: “Today: fight against cancer, round 2 (chemo). Keep your fingers crossed for me…” A month and a half later, he’s made it to the cusp of round five. “Another six months like this, until October, 12 rounds in total, as long as my body holds up. […]

Posted inReport

The Elephant in the Room

On January 17, 2021, Russian opposition politician Alexei Navalny boarded a flight from Berlin to Moscow, where he was arrested immediately upon landing. The previous evening, in Munich, Valery Gergiev conducted a performance of Brahms’s Double Concerto and Symphony No. 3 in Munich. The following Saturday—while the concert streamed online—hundreds of thousands of demonstrators in […]

Posted inInterview

Input

Look through older interviews with violinist Julia Fischer, and you’ll find a disturbing mix of chauvinism and sleaze: “A desirable German export with doe eyes and blond, angelic hair”; “young, sexy, and classical”; “ready for the runway.” One television anchor says she has the “looks, talent, and intelligence of a superwoman,” only to ask her […]

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Fighting Windmills

The doors of the Berlin Philharmonic closed to the public on March 11, 2020. They won’t open again this season, making the coronavirus closure the Berlin Philharmonic’s longest break in its 138-year history. Instead of the musicians, it’s the construction workers who now have the run of the house, with improvements taking place on the […]

Posted inOpinion

Winner Takes All

A bit of Beethoven here, a recital there—that doesn’t interest me,” the pianist Igor Levit said five years ago. Instead he wanted to become a thought leader, like Bob Dylan. Levit was reading Greil Marcus’s Like a Rolling Stone. “People like [Dylan] didn’t see music as a separate reality,” Levit told me. “They arrived on […]

Posted inReport

Conductivity

Around 11:20 on the morning of Saturday March 17, 2018, Laura Eisen, the orchestral manager of the Staatskapelle Berlin, visited Daniel Barenboim in his dressing room, which looks out onto the imposing Bebelplatz. She planned to discuss a personnel change, in the flutes, for an upcoming rehearsal of Verdi’s opera “Falstaff.” According to a statement […]

Posted inProfile

The Antidote

At the end of our conversation, Andrew Manze says something puzzling. We’ve been speaking for nearly two hours, about Brahms, Bruckner, Brexit, orchestral honeymoons and the right time for a conductor to say goodbye; about tempi, literature, and how to nourish the imagination. Manze is a maestro, but our conversation is an antidote to the […]

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Sunken Costs

In 2015, the Italian pianist Marco Sanna and his duo partner saw on Facebook that an artist management company called Xenia Evangelista Communications was signing new performers. They sent the company an application, including a cover letter and a CD, in the mail. Soon after, Evangelista, who is based in Munich, emailed the duo expressing […]