Posted inProfile

Ritual Time

When people bring up the rituals of the classical concert hall, it usually isn’t to celebrate them. Countless blog posts, newspaper columns, and tweets have criticized the unspoken formalized rules of such performances—especially rules about when it is appropriate to clap—for being barriers to new listeners not already steeped in the culture. Whatever the merit […]

Posted inReview

Can Cis Men Write Trans Opera?

“I am a human; nothing that is human is alien to me.” Composer Robert Paterson cites this line from the Roman playwright Terence in defense of his choice, along with librettist David Cote, to write an opera with characters that don’t share his demographic background. “I think there’s too much of that these days,” Paterson […]

Posted inProfile

Anonymous Man

Shortly after 10 a.m. on the morning of Monday April 24, 1865, a ferry set out across the Hudson River from a landing in Jersey City. Bedecked with symbols of patriotism and mourning, it held the corpse of the assassinated Abraham Lincoln, en route from the place of his death in Washington D.C. to his […]

Posted inOpinion

Breaking Binaries

Classical music has a gender problem. The numbers are consistent and dismal: as various orchestras have announced their 2017–18 seasons, numerous outlets have tallied how many male and female composers are represented, and so far none seem to be doing better than the Los Angeles Philharmonic, where male composers still take up 88 percent of […]

Posted inProfile

Queer as in Fuck Yeah

“I’m always drawn to defend anything that people shit on aesthetically.” It’s hard to sum up an artist’s work in a single sentence, but for Alex Temple, that’s not a bad place to start. She has a particular interest in “reclaiming socially disapproved-of (‘cheesy’) sounds,” often taking and warping them into something more than a […]

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