A Freedom of Information request from VAN Magazine has revealed that Sir Nicholas Serota, the chair of Arts Council England, threatened to review a £3.2 million grant given to Welsh National Opera after the company’s music director wrote an open letter about the impact of Arts Council cuts on the organization. The letter, written by […]
Author Archives: Hugh Morris
Hugh Morris is a freelance writer and editor based in London.
Posted inReport
Divided We Stand
Funding cuts have left Welsh National Opera (WNO) in a financial hole, with its musicians facing the prospect of pay cuts and redundancies. The story of the organization’s plight is long and complicated, but a key moment occurred in November 2022, when WNO’s Arts Council England (ACE) National Portfolio Organization funding was cut by 35 […]
Posted inInterview
The New Needs Friends
“A revolting, nauseating slog,” “a quarter of an hour’s worth of relentless, faceless, arbitrary blarney,” “stunningly pointless and stupid,” “five minutes of mindless, superficial prolefeed,” “hackneyed, dated, superficial rubbish,” and “empty vessels of cheap, surface-deep, musically moribund sound masquerading as something bold and individual” are just some of the many colorful phrases writer Simon Cummings […]
Posted inInterview
Built on Sand
In October 2018, Jamal Khashoggi entered the Saudi consulate in Istanbul and never came out. A journalist for The Washington Post and Middle East Eye who was fiercely critical of his country’s regime, Khashoggi was ambushed by a 15-man Saudi hit team; he was suffocated to death and his body was dismembered with a bone […]
Posted inPages Turned
For the Most Part
“As I have said on many occasions,” the composer Alexander Goehr begins the fourth chapter of his book with Jack Van Zandt, “I believe that, for the most part, the period of time when a teacher or mentor has an influential relationship with a young composer is short and typically compressed into a time span […]
Posted inInterview
The Accidental Avant-Garde
“Make it New,” Ezra Pound’s modernist call-to-arms, turns 90 this year. Producer and composer Danny L Harle still believes in the crux of the project. Harle’s story is made up of the kind of groupings and vanguards beloved by modernist-inclined histories. He was a key part of PC Music, an influential thing (label/art collective/aesthetic sensibility/lightning […]
Posted inReview
An Introduction to Music Herstory
When I enter London’s Brazilian Embassy at 6.49 p.m., “Let HER Music Play” is already six hours old, but only a quarter of the way through. Organized by the Donne Foundation, which advocates for women in the music industry, it’s an attempt to break the Guinness World Record for the longest acoustic live-streamed concert using […]
Posted inReport
Can the Northern Ballet Sinfonia Survive?
When an organization restricts comments on its social media channels, it’s a sure-fire sign that something is not right. So it proved when the Northern Ballet closed comments on their season announcement in early February. An update on the company website confirmed that, rather than using the Northern Ballet Sinfonia, the company was to perform […]
Posted inOpinion
Ysaÿe No More
I don’t know if anybody has realized, but we’re in the middle of Hurricane Eugène. Since 2020, recordings of all or parts of Ysaÿe’s Six Sonatas (Op. 27) have been released by violinists including Ju-young Baek-Laurent Albrecht Breuninger-Thomas Bowes-Maxim Brilinsky-Anca Vasile Caraman-Elmira Darvarova-James Ehnes-Julia Fischer-David Grimal-Jeroen De Groot-Hilary Hahn-Kejia He-Kerson Leong-Jack Liebeck-Daniel Matejča-Alessandro Perpich-Solveig Steinthorsdottir-Yayoi […]
Posted inPlaylist
A Psappha Playlist
“Psappha is now closed.” On November 6, Psappha, a contemporary music ensemble based in Manchester, posted a short notice that signaled the end of over 30 years of commissioning, performing, and championing music from the 20th and 21st centuries. On the perennially shaky UK new music scene, organizations are routinely thinned, trimmed and pruned, but […]