Edward Said reigned as the poster child for public intellectuals, having made early waves with his breakout 1978 tract, Orientalism. Just a few weeks after the 20th anniversary of his death from leukemia at the age of 67, his name is being invoked again on all sides of the news cycle. His criticism of both […]
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Posted inEssay
Boredom! At the Opera
Despite being a classical singer, I’ve fallen asleep at every Wagner opera I’ve ever attended. “Das Rheingold,” for example, makes it too easy. The seats are comfortable, the lights are dim, the exposition is endless. I feel cocooned, sardined up next to countless other people who all seem to have a higher tolerance for leitmotif than […]
Posted inInterview
Spit On Me
Steven Takasugi’s Piano Concerto will be premiered by Roger Admiral, Ingo Metzmacher, and the SWR Symphonieorchester in collaboration with the SWR Experimentalstudio on October 22. It will be the final work of the 2023 Donaueschingen Music Days, a festival for contemporary music in southwestern Germany. The following texts were extracted from an interview held at […]
Posted inPages Turned
Through the Rubble
There’s a decent case for Felix Mendelssohn being the most important figure in the history of Western classical music, though primarily for the music he programmed, rather than for the music he wrote. Answering the impassioned cry of Bach’s biographer Johann Nikolaus Forkel for an increased visibility of masterpieces if music wished to be taken […]
Posted inBreaking
“Classical Music Is Not the Easiest Thing at This Time”
“Since the war started, this is the first time I’m talking about my experience and about how I feel,” says Lia Perlov, the principal cellist of the Israel Philharmonic Orchestra (IPO), at the beginning of our Zoom call on Tuesday. “I don’t even talk about this with my partner or my parents. Because it’s too […]
Posted inStuff I’ve Been Hearing
In These Times
Alice Sara Ott, Karina Canellakis, Netherlands Radio Symphony Orchestra: “Beethoven” (Deutsche Grammophon) Mark Steven Doss: “Welcome to My World” (Cedille) Sphinx Virtuosi: “Songs for Our Times” (Deutsche Grammophon) “Beethoven” https://www.youtube.com/watch?v=kymitiTceLY It’s always fun when an album nearly slips past your radar until it becomes the catalyst for controversy. This isn’t a slight to Alice Sara […]
Posted inEssay
Abstracting Evil
In 2012, Austrian film director Michael Haneke criticized Steven Spielberg’s 1993 Holocaust drama, “Schindler’s List,” for the way it manipulates its audience. “The idea, the mere idea of trying to draw and create suspense out of the question of whether gas or water is going to come out of the showerhead to me is unspeakable,” […]
Posted inProfile
The Best-Laid “Plans” of Øyvind Torvund
At musical performances, if boredom sets in, the listener faces a limited palette of acceptable recourse. Should she interdigitate through the interminable aria, fix her gaze upon the slumping violinist in the back desk, or—the path of least resistance—simply fall asleep? For some time, when beset with concert boredom himself, the Norwegian contemporary composer Øyvind […]
Posted inBreaking
Queer, Dangerous, Exciting
James Jorden, who died earlier this week at 69, is almost certainly one of the most influential people in my life who I never met. In 1994, frustrated with his own floundering career as a stage director, and by the sorry state of both opera writing (overly academic guff or reformatted press releases) and opera […]
Posted inOpinion
Immoral Decisions
Update, 10/6/23: WCPE announced via its website that, “After careful deliberation, due consideration, and hearing from our supporters, listeners and the public, The Classical Station has decided to broadcast the entire 2023-2024 season of New York Metropolitan Opera.” Last month, Berlin’s newly-nomadic Komische Oper opened its first season in exile with Hans Werner Henze’s “Das […]