Imagine La Fenice’s “Tosca,” the Mariinsky Theatre’s “Aida,” and the Staatsoper Unter den Linden’s “Der Rosenkavalier” all taking place at one venue, within less than a month of one another, on the same stage. The list could easily resemble an operatic counterpart to the Lucerne Festival or the tenth anniversary season of the Elbphilharmonie, where major […]