Huddersfield Contemporary Music Festival—or HCMF for short—is in full swing, celebrating its 48th edition with performances, workshops, installations and more, all against the backdrop of mounting economic pressures in the UK’s arts sector. Over 48 hours of concerts, interviews and informal networking receptions, I tried to work out how the festival is negotiating a harsher […]
Author Archives: Marat Ingeldeev
… is a writer, researcher and podcaster based in London.
Situations for Distracted Listening
Every time cultural organizers huddle to pick a festival theme, their brainstorming heat surely counts as a modest contribution to global warming. In today’s attention economy—where information is overabundant and rage-bait has surpassed click-bait like an evolved Pokémon—art institutions are forced to perform the same precarious dance, navigating survival and relevance under the increasingly standardized […]
The Dissolving of the Line
Under the artistic triumvirate of Marie-Therese Bruglacher, Laure M. Hiendl and Bastian Zimmermann, Musik Installationen Nürnberg—in its second edition following a 2022 debut—set out to present music differently: “not as a normal concert, but as an experience in space.” But what happens to music when it leaves the concert hall and instead latches onto a […]
Unnatural Invisibility
Some composers are celebrated in their lifetimes. Others must wait for history to catch up. A composer faces a plethora of challenges throughout their career, from testing an edgy yet dubious idea or missing a crucial post-concert networking opportunity to simply submitting compositions on time. The odds of slipping into obscurity are extremely high. Add […]
Threatening the Composer
Once again, I spot the lively gait of Matthew Shlomowitz walking towards me on a busy London road. Over the past year, I’ve come to know him better thanks to several shared projects. Behind the composer, co-director of the Plus-Minus Ensemble, and co-host of the Soundmaking podcast lies a supportive and passionate personality, one that […]
