Posted inInterview

A Conception of Time

Frank Denyer’s works draw from many sources. In the 1970s, he did ethnomusicological fieldwork with the Pokot tribe in Kenya. Studying at Wesleyan, he encountered musical giants Morton Feldman and John Cage, with Harry Partch providing undoubted additional influence. Hand-made instruments are a standard feature in his compositions. Combined with a Feldman-like approach to time, […]