In an ongoing effort to spend as little time as possible with my own thoughts, I often have something on: A new album, a podcast, an audiobook, the same recording of “Chess” that I’ve been playing into warped oblivion for the last two decades… They all more or less see the same concentrated output of […]
Category: Columns
Under the Influence
Colin Jacobsen, Eric Jacobsen, Karen Ouzounian, The Knights: “The Kreutzer Project” (Avie) Vladimir Jurowski, Bayerisches Staatsorchester: “Beethoven: Symphony No. 2, Brett Dean: ‘Testament’” (BSO Recordings) Let’s talk about Beethoven’s second violin concerto. By which I mean his “Kreutzer” Sonata. Of course, the “Kreutzer” Sonata isn’t a concerto in the strictest sense of the word. But […]
Amateur Hour
Lisa Moore: “Frederic Rzewski: No Place to Go but Around” (Cantaloupe) The Crossing, Donald Nally: “Born” (Navona Records) Anthony Cheung: “All Roads” (New Focus Recordings) When did “amateur” become an aspersion? The late 1780s, according to the Online Etymology Dictionary. But the etymology of the word is written across its forehead: Its roots are in […]
Only Connect
Nicholas Phan, Brooklyn Rider, et. al.: “Stranger – Works for Tenor by Nico Muhly” (Avie) London Choral Sinfonia, Michael Waldron, et. al: “Colourise” (Orchid Classics) In his program notes for “Stranger,” Nico Muhly writes that he “almost always” prefers prose to poetry as a composer; setting prose “offers a more oblique entry-point into the text.” […]
Between Cosmos and Chaos
Martin Fröst, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra: “Jesper Nordin: Emerging from Currents and Waves (Live)” (BIS) Angélique Kidjo, Filharmonie Brno, Dennis Russell Davies: “Philip Glass: Symphony No. 12, ‘Lodger’” (Orange Mountain Music) Nightingale String Quartet: “Vagn Holmboe: String Quartets, Vol. 2” (Dacapo) If Elon Musk’s Twitter deal had gone through, would there have been […]
Empty Spaces
Orchestre de Chambre de Lausanne, Heinz Holliger: “Schönberg: Kammersymphonie Op. 9, Sechs Kleine Stücke, Op. 19; Webern: Symphonie, Op. 21, Fünf Sätze, Op. 5” (Fuga Libera) Zehava Gal, Laurence Dale, Veronique Dietschy, Carl Johan Falkman, et. al. “La tragédie de Carmen” Bertrand Chamayou: “Messiaen: Vingt Regards sur l’enfant Jésus” (Erato) “I can take any empty […]
Time Future
Danish String Quartet: “Prism IV” (ECM) Wild Up: “Julius Eastman Vol. 2: Joy Boy” (New Amsterdam) “Time present and time past are both perhaps present in time future,” writes T.S. Eliot at the beginning of his Four Quartets. The work was in part inspired by Beethoven’s String Quartet Op. 132, which Eliot found “quite inexhaustible” […]
That Moment of Thought
A quote that lives in my phone’s screenshots: “The truest program note of all time is… ‘This is what I was thinking about and what grew out of that moment of thought.’” Sadly, I saw it presented without attribution and have struggled to find a source since, but it’s one I go back to often—especially […]
An Elegant Matrix
Patricia Kopatchinskaja, Joonas Ahonen: “Le monde selon George Antheil” (Alpha Classics) Florent Ghys: “Ritournelles” (Cantaloupe) Florent Ghys: “Mosaïques” (Cantaloupe) Latvian Radio Choir, Sigvards Kļava: “John Cage: Choral Works” (Ondine) The fact that you are reading this article right now owes much to a request posed to composer George Antheil in 1940: “Hedy Lamarr wants to […]
Still Somewhere
Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow: “Saint-Saëns: Piano Concertos Nos. 1 & 2” (BIS) Joanna Goodale: “Debussy in Resonance” (Paratay) Lavinia Meijer: “Are You Still Somewhere?” (Sony) As the composer himself tells the story, when Camille Saint-Saëns was six years old, he composed a romance for a singer. The 12-bar work left its interpreter’s father […]