In 1965, the United Nations asked Benjamin Britten to compose a choral work to celebrate the organization’s 20th anniversary. The piece, it hoped, would be “the natural and inevitable sequel to the War Requiem.” The Secretary-General, U Thant, explained that the new work would be premiered at the UN Day concert on October 24, 1965, […]
Category: History
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Bernardino Molinari’s Fifth Season
In his memoir Overtures and Beginners, the English conductor Eugene Goossens described Bernardino Molinari, long-standing music director of Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia, as “the most ridiculously hot-tempered of all maestri… Stories of his stick-breaking, desk-biting, and watch-smashing exploits have long since passed into the realm of legend.” Both Goossens and Molinari had […]
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An Encounter with Distance
Pau Casals wrote letters as he played the cello: with conviction and exacting care. An epistolophile to the core, he wove a web of correspondences through what Eric Hobsbawm called the “short 20th century,” an era of war and upheaval that shattered the 19th century’s bourgeois order. His letters, exchanged with a fluid cast of […]
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How Parsis Came to Love Western Classical Music
At any Western classical music performance that I attend in Mumbai, the audience is always a sea of elderly Parsis. (Parsis are a tiny community of Zoroastrians who migrated from Iran to India in the eighth century.) There were the regulars: the elderly gentleman with a scimitar nose, bobbing his head in time to the […]
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Caller of Spirits
When pianist Mark Austin began researching composer Peter Warlock, ahead of recording an album of his songs with the mezzo-soprano Anna Harvey, Austin focussed on the music and not the life. “I started to read a biography of Warlock and I got about halfway through,” he says. “This is unusual for me, as I’m normally […]
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Rhapsody in the Dark
In 1989, the Government of Algeria submitted to the journal of the International Association of Music Libraries, Archives and Documentation Centres (IAML) what it termed a “somewhat difficult request.” It concerned the country’s most fabled and lauded composer, Mohamed Iguerbouchène. By then he had been dead for almost a quarter of a century. Born in […]
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Talking to Ghosts
About seven years ago, HBO almost made my dream television show. It was called “Virtuoso,” and was produced by Elton John and written and directed by Alan Ball. From all accounts—and I followed them closely—it was to be something of a soap opera about the founding of a conservatory obviously based on the real-life Vienna […]
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The Pianist who Killed Stalin
In his 2017 film “The Death of Stalin,” Armando Iannucci links the titular event to a letter penned by pianist Maria Yudina: “Joseph Vissarionovich Stalin, you have betrayed our nation and destroyed its people. I pray for your end and ask the Lord to forgive you. Tyrant.” In Iannucci’s history-as-farce, the dictator reads this note […]
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Engineered Consent
In 1905, two years after his Met debut and two minutes into an interview with the New York Times, Enrico Caruso came tantalizingly, presciently close to coining the term “fake news.” Over oysters and martinis, the first question launched, the Neapolitan tenor looked at his interviewer incredulously: “Dolls? Dolls? Ma che? What dolls do you […]
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The Smoldering Progressive
Pity Paul Dukas. For most listeners—even serious music lovers—his work is the mere soundtrack to the anthropomorphic avatars of the Disney corporation. Despite floating in the same fragrant creative broth of early 20th-century Paris as Igor Stravinsky and Claude Debussy he has been rather overshadowed by both, to say nothing of his twelve-tone contemporaries in […]