Posted inReview

Song of the Goats

Watching a Yorgos Lanthimos film invariably leads to esoteric questions. Via “Dogtooth”: Why are you calling an armchair a “sea”? From “The Lobster”: If you had to be irreversibly changed into an animal, which one would you pick? And, thanks to Lanthimos’s new short, “Bleat,” co-commissioned by the Greek National Opera and cultural nonprofit NEON: […]

Posted inInterview

Love Seeps Through

South-African soprano Golda Schultz is a regular at the Met and at Bayerische Staatsoper. In 2020, she sang at the Last Night of the Proms; this season she made her debut with the New York Philharmonic.  With this career stability, she’s confronting the luxurious challenge of “moving the needle” for women composers and women’s stories. […]

Posted inStuff I’ve Been Hearing

The Polyhedral Spree

Ramon Lazkano, Neue Vocalsolisten Stuttgart, L’Instant Donnée, Johanna Zimmer, Manuel Nawri: “Diptyque Jabès” (Odradek) Les Siècles, François Xavier Roth, et. al.: ”Pelléas et Mélisande” (Harmonia Mundi) Kate Soper: “The Understanding of All Things” (New Focus Recordings) The Syrian poet and diplomat Nizar Qabbani wrote that words are like sparrows: they don’t require travel visas. I […]

Posted inReport

Fooling Mother Nature

It’s at around the 15-minute mark that I’m pretty sure I’ve pissed off Renée Fleming. Speaking with America’s most famous living soprano just before last October’s release of her latest recording, “Voice of Nature: The Anthropocene,” I’ve gone into our conversation anxious to discuss one of the album’s central themes: the climate crisis.  Programming for […]

Posted inOpinion

The Treachery of Images

Update Shortly after this article was published, the Metropolitan Opera announced that, after “not complying with the Met’s condition that she repudiate her public support for Vladimir Putin while he wages war on Ukraine, soprano Anna Netrebko has withdrawn from her upcoming Met performances in Puccini’s ‘Turandot’ this April and May, as well as the […]

Posted inInterview

A Delicate Balance

Few singers move through musical genres and eras with as much confidence as Anna Prohaska. Programs like “Maria Mater Meretrix” (designed with Patricia Kopatchinskaja) and her latest album, “Celebration of Life in Death” (recorded with baroque orchestra La Folia and Robin Peter Müller), combine everything from Hildegard von Bingen to George Crumb to Leonard Cohen […]

Posted inInterview

The Light at the End

On February 13, English mezzo-soprano Alice Coote will perform the role of Mère Marie de l’Incarnation in Francis Poulenc’s opera “Dialogue des Carmélites” at the Zurich Opera. It’s her second production—and first set of full rehearsals—since the start of the pandemic, and there are still worries about COVID-19: The cast has made an agreement that […]

Posted inInterview

Luxurious Boredom

When countertenor Anthony Roth Costanzo was 11 years old, he performed in a Broadway production of “The Sound of Music” alongside capital-P Personality Marie Osmond. Out of the goodness of her heart, Osmond offered the boy a deep discount on her range of dolls, a line she developed with the television shopping channel QVC. Costanzo […]