Not long ago, I read Virginia Woolf’s A Room of One’s Own. One line stayed with me: “Then I may tell you that the very next words I read were these—‘Chloe liked Olivia. . .’ Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes […]
Tag: Vocal Music
Posted inReport
The Other Wage Gap
It is a truth universally if quietly acknowledged that a singer in possession of work will be paid less than the orchestral instrumentalists with whom they perform. So goes the consensus among the working singers of America’s classical music industry, and for good reason: job postings for opera singers often list compensation rates which break […]
Posted inInterview
The Traveling Breath
A woman with narrow shoulders and long grey hair steps up to the microphone. In the bluish stage light, she looks pensive and fragile. Which makes the power of her voice all the more surprising as she releases an astonishing variety of sounds into the hall: humming, whirring, sighing; clacking glottal stops, throaty chirps, nasal […]
Posted inInterview
Where the Trees Are
Whether it’s Julius Eastman’s “Prelude to the Holy Presence of Joan of Arc,” Beethoven’s “Missa Solemnis,” or Anthony Davis’s “X: The Life and Times of Malcolm X,” listening to Davóne Tines sing is like watching rock climber Alexander Honnold free solo up El Capitan: You’re struck by the raw power and voltage of his stentorian […]
Posted inStuff I’ve Been Hearing
Just Like Holy Mary
“Vespro” & “Vespro della Beata Vergine” It’s rare that a new recording of a repertoire staple becomes a catalyst for a real-life version of the math lady meme, but Raphaël Pichon is exactly the sort of conductor you’d willingly follow down a rabbit hole. Given the relative recency of the Monteverdi revival, it’s also surprising […]
Posted inProfile
The Threshold of Change
Juliet Fraser is on sabbatical. “Actually,” she corrects me, “it’s a semi-sabbatical”—she’s still performing, but only sparingly. Mostly, she’s taking some long-overdue time to breathe, and to devote more attention to her other spinning plates. (She keeps several in the air, no matter the season.) When I call her early on a Friday morning, she […]
Posted inInterview
A Spiritual Condition
200 years ago, Schubert completed his sleek and touching song cycle “Die schöne Müllerin.” When tenor and lieder expert Christoph Prégardien sings the work, his voice has a lean tone and a silvery shimmer; each verse seems to flow out of him, both freshly invented and fully formed. Prégardien’s voice embodies Schubert’s actual protagonist: a […]
Posted inStuff I’ve Been Hearing
Where Past and Future Are Gathered
“The Beginning and the End” Earlier this summer, I was in Athens with Joyce DiDonato and the orchestra Il Pomo d’Oro as part of their EDEN tour—an ambitious multi-year program that will see the musicians perform on six continents and offer a host of workshops for local children’s choirs. While DiDonato and I shared a […]
Posted inStuff I’ve Been Hearing
Symmetries of Desire
There are tenors who fuck, and then there are tenors who fuck. Sure, hearing Jonas Kaufmann pump out “Winterstürme” is good for some heady thrills, and I wouldn’t not tuck Jussi Björling’s “Ch’ella mi creda” in my hope chest. But let’s talk for a moment about the ténor de grâce. At first blush, they may […]
Posted inEssay
A Chained Man’s Bruise
“You get this idea of someone knowing that something is not right,” experimental vocalist Elaine Mitchener says of Peter Maxwell Davies’s “Eight Songs for a Mad King.” “It’s askew. You know the headache you have when you have a migraine—you can’t actually see something in front of the eye? That’s how I feel with this: […]