On May 26, Art Not Arms posted an open letter to Kings Place, the London classical music venue and conference center, that called for the cancellation of the upcoming Defence in Space Conference in October. This conference is sponsored by arms manufacturer Lockheed Martin. The open letter noted that Lockheed Martin is involved in the […]
Author Archives: Hugh Morris
Hugh Morris is a freelance writer and editor based in London.
Posted inInterview
Specialities
Phoning in from Frankfurt—he’s there getting a visa ahead of his conducting debut at La Scala—Kazuki Yamada radiates positivity down the Zoom call. An extremely popular conductor in Birmingham, where he is currently City of Birmingham Symphony Orchestra’s music director and artistic advisor, it was recently announced that Yamada would succeed Robin Ticciati as the […]
Posted inInterview
Dialogues
Both Catherine Lamb and I arrive for our interview in a west Berlin park slightly distracted, and the universe works to make us more so. First, a bird in a bush behind our bench insists on everyone hearing its loud, virtuosic song; we swiftly relocate to the grass in the middle of the square. Then, […]
Posted inBarTálk
A Proper Continuum
On Sunday, a new “Don Giovanni,” the final staging of Kirill Serebrennikov’s Mozart-Da Ponte trilogy, premiered at the Komische Oper in Berlin. It imagined the title character as being taken through the bardo throughout the opera, following the Tibetan Book of the Dead, and substituted movements from Mozart’s Requiem for the work’s usual finale. After […]
Posted inBarTálk
Sweating, But Functionally
Last night, the Southbank Centre launched its new classical music festival: Multitudes, a space designed to bring different artforms closer together. Over the next few weeks, new video works by William Kentridge and Kirill Sebrennikov accompany Shostakovich symphonies, Igor Levit and Marina Abramović perform Satie’s “Vexations,” and Tom Morris directs a semi-staged performance of Mahler’s […]
Posted inReport
These Are The Top Republican Donors Also Donating To Classical Music
In May 2020, when George Floyd was murdered by a white police officer in Minneapolis, many American classical music institutions joined what appeared to be a society-wide reckoning on racism. The Minnesota Orchestra commissioned a work in Floyd’s memory, by composer Carlos Simon and librettist Marc Bamuthi, called “brea(d)th.” The Chicago Symphony Orchestra shared sobering […]
Posted inInterview
Wrangling, Plunging
Beginning with Stockhausen on April 6, “20th Century Radicals” is a new 40-part series about the composers who shaped the previous century. Over the course of 40 weekly episodes, it covers Andriessen and Berio through to Xenakis and La Monte Young, via El-Dabh, Jolas, Murail and Takahashi, and many more. It’s the sort of series […]
Posted inInterview
Seeking Leverage
The UK-based Musicians’ Union has 36,000 members, and covers musicians across a huge variety of genres, vocations and working patterns. Its orchestral section—about 10% of the membership—represents the best organized part of the union. (Salaried orchestras like the Hallé or the Liverpool Philharmonic—with playing roles and organizational structures that have rarely changed in decades—are extremely […]
Posted inInterview
“Like ‘The Archers’ On Speed”
It’s been a decade since Jennifer Walshe described “The New Discipline” in a program text for Borealis Festival. This was not a school or a style, but a way of working that she saw shared across music she was witnessing, “where the physical, theatrical and visual aspects are as important as the sonic.” The text […]
Posted inBreaking
ENO Confirms This Season’s Designs Use “AI-Enhanced” Artwork
There’s something rather odd about ENO’s current season, and it’s not that it’s excessively short. As VAN has reported on previously, and others have recently noted online, there’s the strong whiff of unattributed AI involved in their work. First, it was in their website copy, which, for a time, claimed that Benjamin Britten was still […]