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Limits of Perspective

In Franz Lehár’s 1929 operetta “Das Land des Lächelns,” a Viennese lady, Lisa, loves a Chinese diplomat, Sou-Chong. She follows him back to China and marries him, only for them to ultimately be forced apart by Chinese custom. In 1929, this was a plea for tolerance by its two Jewish librettists. But today, its depiction […]