40 years ago, Wolfgang Hildesheimer wrote a long-form essay, Mozart, that freed his namesake from the marble of statues and the marzipan coatings of candies. The open-ended structure of the work makes so much new writing look older than its years. Every time a new book comes out, it eclipses 10 older ones. One may […]
Category: Essay
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Silence, Breaking
When I was 12 years old, James Levine began his tenure as Music Director of the Boston Symphony Orchestra. My father was a cellist there. This is not an essay about abuse—I never met James Levine. This is an essay about what happens when knowledge is warped by a cult of interpretive genius. It is […]
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Before Leaving this Place
When Gounod brought his “Faust” to London five years after its world premiere in 1859, there was one devil lurking in the details: venerated baritone Charles Santley was singing Valentin—the soldier brother of Marguerite who is killed by his sister’s lover (and the work’s title character)—but despite his fame he had no aria to sing. […]
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The Soul Must Descend From Its Mount
I haven’t composed anything in three years,” he laughed, “too lazy!” That was two years ago. Klaus Huber was 90, and knew full well that his oeuvre was complete. He took another Mozarella in Carozza and a sip of prosecco, and blinked in the north-German April sun—already anticipating, perhaps, the summer at his house in […]
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Sound in Flight
The Airbus A320 was quiet as it waited on the runway behind the other planes for takeoff. I put on a Guillaume de Machaut motet, “Tribulatio proxima est et non est qui adjuvet,” in my headphones. The pilot pushed the throttle forward and the plane picked up speed. A male voice joined the two female […]
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A Cold War
When he was 16, Wolf Biermann emigrated from his hometown of Hamburg to the German Democratic Republic. The year was 1952 and the young man, whose father was a staunch Communist and killed in Auschwitz, was welcomed in the East. Less than 25 years later, Biermann, now a rock star—his apartment, dubbed “the waiting room […]
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Limits of Perspective
In Franz Lehár’s 1929 operetta “Das Land des Lächelns,” a Viennese lady, Lisa, loves a Chinese diplomat, Sou-Chong. She follows him back to China and marries him, only for them to ultimately be forced apart by Chinese custom. In 1929, this was a plea for tolerance by its two Jewish librettists. But today, its depiction […]
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Against The Grain
The last time I visited my family in Atlanta, I stumbled across an answering machine in the closet while hunting around for a beach towel. It took me a moment to place the clunky black object, but as soon as I pieced together what it was, I hurriedly plugged it in. The voice of my […]
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Doom and Womb
Few pieces within the contemporary classical repertoire concern themselves solely with pregnancy, a fact of which I am all too aware as someone living a double life as a music writer and a reproductive rights activist. Examples of womb-centric compositions include chamber and orchestral works by Dai Fujikura, in which he appropriates and musicalizes his […]
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My Father, The Flying Dutchman
Time is often the unspoken main character in opera. The drama of “Don Giovanni” stems from the plot unfolding in just one day. Orpheus’s tragic downfall is being unable to avoid gazing at Eurydice until they’ve left the underworld. And the plot of “Der fliegende Holländer” is cut short if Daland doesn’t seek shelter from […]