For weeks, Kharkiv and the surrounding region has been under regular bombardment, but May 23, the day I arrived in the city, was an especially tragic occasion for our festival, KharkivMusicFest. My train ride to Kharkiv from Chełm, southeast Poland, took almost 24 hours. The cars were crowded with passengers. In my compartment was a […]
Category: Report
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Divided We Stand
Funding cuts have left Welsh National Opera (WNO) in a financial hole, with its musicians facing the prospect of pay cuts and redundancies. The story of the organization’s plight is long and complicated, but a key moment occurred in November 2022, when WNO’s Arts Council England (ACE) National Portfolio Organization funding was cut by 35 […]
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Why Corruption Plagues Chinese Conservatories
In April, Xue Wei, a former professor of violin at the Central Conservatory of Music (CCOM) in Beijing, posted on Weibo, a popular Chinese social media channel, to accuse Tong Weidong, the current dean of the orchestral instrument department at the same conservatory, of sexual abuse toward students and corruption in the entrance examination process. […]
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Inhabiting the Curve
Cate Blanchett isn’t the only conductor in Todd Field’s “Tár” (2022). There is her predecessor at the Berlin Philharmonic, Andris, and the Gilbert Kaplan cipher Eliot (Mark Strong). There are also two assistant conductors: the aspirant Francesca Lentini (Noémie Merlant), who hopes to take the assistant position at the Berlin Phil, and the hapless Sebastian […]
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Can the Northern Ballet Sinfonia Survive?
When an organization restricts comments on its social media channels, it’s a sure-fire sign that something is not right. So it proved when the Northern Ballet closed comments on their season announcement in early February. An update on the company website confirmed that, rather than using the Northern Ballet Sinfonia, the company was to perform […]
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The Price is Wrong
Of all the marginalized composers who’ve yet to receive the acclaim they deserve—and there are many—Florence Price is perhaps the one closest to getting her flowers. Dedicated work on Price has been happening since the 1970s without fanfare, with scholars like Barbara Garvey Jackson, Rae Linda Brown, and Helen Walker-Hill championing Price’s music. The 2009 […]
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Matinee Idyll
Vladimir Horowitz stretches out on his sofa. Basking in the glow of a recent Carnegie Hall triumph, the virtuoso grants a rare interview. He has something important to say, a deeply held wish he’s rarely discussed. The conversation is nearly over before he brings it up. “The only thing which I change,” begins the maestro, […]
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Clouds, Unmoving
Though the worst of the downpours have retreated for now, the sky is hardly Stanford blue for classical musicians in the UK. Recently, there has been retaliation to the difficulties imposed by the toxic cocktail of inflation, Brexit, COVID aftershocks and funding cuts to institutions: yesterday, the Royal Opera House orchestra voted overwhelmingly in favor […]
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Pay to Sing
“When I was at the University of British Columbia in Vancouver, I was so startled that all the singers were running around and doing anything other than what I could see seems necessary,” Mark Sampson, a bass and the founder and artistic director of the Berlin Opera Academy (BOA), tells me. “And they were too […]
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“You’re Afraid to Ask Your Friends How They Are”
On November 26, the Youth Symphony Orchestra of Ukraine (YsOU) performed a concert titled “A Night for Ukraine” at the Konzerthaus in Berlin. Supported by the Goethe Institut and the YsOU’s German counterpart, the Federal Youth Orchestra of Germany, the event had patriotic trappings, with blue and yellow light projected on the back of the […]