The music of Jay Schwartz is hedonistic. You listen to it, and when you’re finished you can’t wait to listen to it again. His SoundCloud page becomes an almost physical addiction. It envelopes you in shimmering glissandi of infinite complexity, teases you with the briefest glimpses of tonal intervals, and rewards you with the endorphin […]
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Windows
It starts with the name. He gets irritated when you ask about it. Americans can’t pronounce the “ij” in “Bijlsma,” but the U.S. market is important, so marketing had the last word. He settles for “Bylsma.” He’s Dutch. In 1959, he won the International Pablo Casals Cello Competition, the Nobel Prize for cellists. When he […]
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Juste
While this might not be the moment that all of us have been waiting for, it’s certainly titillating to catalogue another casualty report in the Harpsichord Wars. In March, Mahan Esfahani hurled a set of observations (some say accusations) against the mainstream harpsichord world, among them shortsightedness, conservatism, as well as a pervasive fear of […]
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Music Of An Earlier Time
Wait, is it the Monteverdi year? Help. I can’t get on social media without seeing Instagram theorbos, videos of madrigals by fellow early music noobs, or another of review of “Orfeo” pretending it’s a new work. In particular, Sir John Eliot Gardiner (known by some as Jiggy) has made a splash this year by taking […]
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Composites
Saturday night in one of Europe’s big cities, and concertgoers pour out of underground stations and cabs, tickets and programs in hand, dressed to the nines—a star-spangled cavalcade of cultural exchange and high-brow entertainment. Some will trace what they hear with prepared anticipation, some might not know what will be played at all, but all […]
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Fertile Ground
The grass is always greener on the other side of the Atlantic. Throughout my time in the world of contemporary classical music, this is a message I have heard over and over and over again. Governments in Europe fund their artists much more generously. European audiences are much more invested in their artistic cultures, and […]
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Ritual Time
When people bring up the rituals of the classical concert hall, it usually isn’t to celebrate them. Countless blog posts, newspaper columns, and tweets have criticized the unspoken formalized rules of such performances—especially rules about when it is appropriate to clap—for being barriers to new listeners not already steeped in the culture. Whatever the merit […]
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Alchemy
The audience had to creep carefully around the performance space, as a constellation of strings were stretched at hip-height from one wall to another. Ellen Fullman had spent the day here, setting up her traveling installation, the Long String Instrument; she had stretched dozens of stainless steel and phosphor bronze strings across the room in […]
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Anonymous Man
Shortly after 10 a.m. on the morning of Monday April 24, 1865, a ferry set out across the Hudson River from a landing in Jersey City. Bedecked with symbols of patriotism and mourning, it held the corpse of the assassinated Abraham Lincoln, en route from the place of his death in Washington D.C. to his […]
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The Magnet
One January morning in 2013, an orchestra was recording at 2:30 a.m. They had been working at Petropavlovskaya ulitsa 25A, the P. I. Tchaikovsky Opera and Ballet Theatre in Perm, Russia, since midnight. The piece was “Per pietà, ben mi, perdona,” Fiordiligi’s aria with horn obligato from Mozart’s opera “Così fan tutte.” It still wasn’t […]