The first ever Andermatt Music Winter Festival took place between January 15 and 19, 2020. Three young Englishmen curated the program for the new concert hall: symphonic and chamber music, lectures, and a recital. It was to be a mountainous excursion, with Daniel Barenboim and Beethoven. By Katharina Thalmann · Translated from the German by […]
Category: Review
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Transformed By Absence
As the Midwestern fall turned into a frigid, icy winter, I listened to Glenn Gould playing Bach’s “Goldberg Variations” and read Philip Kennicott’s Counterpoint: A Memoir of Bach and Mourning. Alternating between listening and reading, I found myself overwhelmed by emotion and flooded with the desire to do something. I wanted to clean house, dance […]
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A Shallow Oasis
Aaron Jay Kernis wrote his new string quartet “oasis” in nearly perfect solitude. It was December at Tippet Rise, an arts center and festival near Fishtail, Montana, and windswept snowdrifts made it impossible to enter or leave. The facilities sat vacant except for the most necessary core personnel. His piece is stark, taciturn, full of […]
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Bursting Through Confines
The first thing I saw was groups of soldiers. Aix-en-Provence, a wealthy tourist resort and college town, is not their primary target, and France is only the latest in a long series of countries to be occupied by the French military. But they were everywhere: at the airport in baggage claim, flanking the exit to […]
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Walls Stay Down
Mahler’s Sixth Symphony—90-odd minutes of descent, disintegration, mad marching—is not a festive piece. The cameo-studded, light-hearted party-concerts for Simon Rattle’s departure as Music Director of the Berlin Philharmonic had come and gone, and now it was time for serious music-making. This was, the program informed 2000-odd Berliners of reassuringly mixed age and dress, the piece […]
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Heels of Fortune
Opera so often has an aftertaste of evil. The character of Osmin in Mozart’s “Entführung aus dem Serail” is an embarrassing Middle Eastern caricature absurdly obsessed with blood and gore. Wagner’s knights and gods like to address their female counterparts simply as “woman.” Blackface still makes regular appearances in contemporary stagings of Verdi’s “Otello.” In […]
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I Tried to do Yoga to “Classical Music for Yoga” Playlists
It was the nicest day in months that I’d set aside to once again experiment with “art” music’s more pragmatic uses, and see whether classical music playlists for yoga could realign my chakras and bring my sun-starved, cold-ridden body back to life. Unfortunately, the sudden warm weather meant that after a couple of beers in […]
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Wordlessness
“I’m a happy woman, I’m a happy woman.” Meredith Monk’s sudden singsong was the first and only instance of actual words to be heard throughout an evening of vocal sound. This interlude, in which Monk’s voice was accompanied by soft piano chords, was one of the most touching segments of a Monk work that I […]
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Constructed Deconstruction
In four separate, darkened rooms sit five performers. One prepared piano, a Hardanger fiddle, clarinet, and guitar with electronics. It’s a chamber concert for wanderers, with each instrument piped into the other rooms via wires and speakers. The format has been exploded, and while the fragmentary sounds of Stephen Mediell’s “Metrics,” which they’re performing, are […]
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Deep Listen: Kaija Saariaho
Confession: As a music lover, one of my least favorite things to do is actually go to a live performance. Not because of the performance itself, but for the hell-is-other-people experience of being in an audience and the unspoken sense of competition that seems to come through in the concert hall. One evening, as a […]