Swedish Chamber Orchestra, Thomas Dausgaard: “Mendelssohn Symphonies 1 & 3” (BIS) The Philadelphia Orchestra, Yannick Nézet-Séguin: “Florence Price: Symphonies Nos. 1 & 3” (Deutsche Grammophon) Orchestre Métropolitain de Montréal, Yannick Nézet-Séguin: “Sibelius 3” (ATMA Classique) Yu Kosuge: “Four Elements: Water, Fire, Wind, and Earth” (Orchid Classics) Sarah Kirkland Snider, Gallicantus: “Mass for the Endangered” (New […]
Tag: 19th Century
Posted inStuff I’ve Been Hearing
Vintage Prada and Snow
Lise Davidsen, Leif Ove Andsnes: “Grieg” (Decca) Christian Tetzlaff, Lars Vogt: “Beethoven: Sonatas, Op. 30” (Ondine) Adam Tendler, Jenny Lin: “Liszt: Harmonies poétiques et religieuses” (Steinway) A line from Phoebe Stuckes that has (for lack of a better word) stuck with me in the turnover of a new year: “I want to be stinking drunk […]
Posted inEssay
Gated Debussy
The Paris Métro’s Line One to Étoile is pretty crowded this afternoon. There are slightly fewer smartphones than there were a couple of years ago; a few passengers are even reading books. Line Two is next, almost empty, and just two stops to Porte Dauphine, where the train disappears into the tunnel as I emerge […]
Posted inReport
Wieck Spot
For all her infamous name recognition, performances of Clara Wieck Schumann’s works are still puzzlingly rare. For decades I never questioned this; I bought the industry-wide indoctrination of “low quality.” But when I began to objectively look and listen, I realized Wieck’s compositions were filled with innovative tonal relationships, thematically unified structures, advanced motivic developments, […]
Posted inI Know, But
I Know, But: Bruckner’s Symphony No. 9
When I was in graduate school, I took an advanced musicianship class, which mainly demonstrated that I was not an advanced musician. One of the components was ear training and dictation. Our task was usually to notate a series of dense chords and tricky modulations the teacher played from the piano. One class, she played […]
Posted inPlaylist
A “Faust” Playlist
“The more the Faust myth changes, the more it endures,” writes Peter Werres in his introduction to Lives of Faust. “It is our myth, and we must go on confronting it.” Since first appearing in a chapbook in the late 1500s, the story of a man who sells his soul to the devil in exchange […]
Posted inEssay
Necessary Shadows
Who invented black metal, that hateful, unholy, visionary genre? Potential candidates include bands Venom, Celtic Frost, Mercyful Fate, or, most likely, the revolutionary Bathory. But exactly 100 years before Venom’s 1982 album “Black Metal” codified the term, the world saw a work similarly infused with perverted religiosity, hatred, mutilation, darkness, extreme ideological stances, blood, racist […]
Posted inPlaylist
An Edita Gruberová Playlist
The death of a classical musician is a moment of loss, but it’s also a moment of rediscovery. Especially when the musician in question is someone like Slovak soprano Edita Gruberová, whose death in Zürich this past Monday, October 18, was an opportunity for fans and houses alike to pay tribute to some of her […]
Posted inEssay
The Intelligence of Bodies
When VAN asked me to do a review of an artificial-intelligence-created realization of Beethoven’s Tenth Symphony called “Beethoven X: The AI Project,” which is based on the skimpy sketches he left when he died, I more or less groaned in my reply. “Not for me,” I said. “I know pretty much what I’ll think about […]
Posted inI Know, But
I Know, But: “Eine Alpensinfonie”
When talking about films and filmmakers he admired, French New Wave legend François Truffaut said, “I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between; I am not interested in all those films that do not pulse.” […]