A quote that lives in my phone’s screenshots: “The truest program note of all time is… ‘This is what I was thinking about and what grew out of that moment of thought.’” Sadly, I saw it presented without attribution and have struggled to find a source since, but it’s one I go back to often—especially […]
Tag: 19th Century
Still Somewhere
Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow: “Saint-Saëns: Piano Concertos Nos. 1 & 2” (BIS) Joanna Goodale: “Debussy in Resonance” (Paratay) Lavinia Meijer: “Are You Still Somewhere?” (Sony) As the composer himself tells the story, when Camille Saint-Saëns was six years old, he composed a romance for a singer. The 12-bar work left its interpreter’s father […]
A Little Tenderness
Reinis Zarins: “Pēteris Vasks: Solo Works” (Ondine) Nicky Spence, Christopher Glynn: “Schubert: The Fair Maid of the Mill” (Signum) Overheard last week in Tempelhof Field—a public park fashioned, in true Berliner style, out of an abandoned airport: “I hate it here.” “Berlin?”“No, this plane of existence.” A relatable feeling. Fortunately, there’s a new Pēteris Vasks recording. […]
Time Lost and Found
Czech Philharmonic, Semyon Bychkov, Chen Reiss: “Mahler: Symphony No. 4” (Pentatone) Vicky Chow, Jane Antonia Cornish: “Sierra” (Cantaloupe) If you know anything about Proust’s mammoth In Search of Lost Time, it’s a moment from the first installment, Swann’s Way. In it, Proust describes the moment of unlocking an old memory of Sunday mornings spent with […]
Night Music
Justina Jaruševičiūtė: “Silhouettes” (Piano and Coffee Records) Camerata Zürich, Igor Karsko: “Leoš Janáček: On an Overgrown Path” (ECM) Golda Schultz, Jonathan Ware: “This Be Her Verse” (Alpha Classics) Justina Jaruševičiūtė describes the “Wolf Hour” as “that time of night in which people wake up without any particular reason and can’t fall back asleep.” It’s an […]
At Rest
Asmik Grigorian, Lukas Geniušas: “Dissonance” (Alpha Classics) Gegham Grigorian, Bolshoi Theatre Orchestra, Mark Ermler: “Arias from Operas” (Melodiya; archival reissue) Irena Milkevičiūtė, Ričardas Biveinis: “Russian Romances” (Melodiya; archival reissue) As a rule, Chekhov’s plays end cynically, unceremoniously closing the door on yet another bleak house. The exception to this is “Uncle Vanya,” which offers a […]
Floating in Gesture
Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras: “Brahms String Sextets” (Alpha Classics) Rebeca Omordia: “African Pianism” (SOMM Recordings) Two things have been stuck in my head lately. The first comes from Anna Stavychenko’s recent interview with my colleague Hartmut Welscher, given just before Russia’s invasion, while the Kyiv Symphony Orchestra director was on permanent red alert. […]
Infiltrating Justice
Heartbeat Opera’s adaptation of Beethoven’s “Fidelio” achieves what many well-meaning, ostensibly “woke” contemporary music ensemble efforts fail to accomplish. Artistic Director Ethan Heard’s retelling engages directly with the marginalized population it seeks to draw attention to: The “Prisoners’ Chorus” is sung by incarcerated individuals from prison choirs across the United States. Although the opera was […]
You Want It Darker
Gidon Kremer: “Mieczysław Weinberg: Sonatas for Violin” (ECM) Stéphane Degout, Simon Lepper: “Epic: Lieder & Balladen” (Harmonia Mundi) Anna Prohaska, La Folia Barockorchester, Robin Peter Müller: “Celebration of Life in Death” (Alpha) There are several moments in the Torah when a figure, called on by God, answers that call with a single word: Hineni. It’s […]
Roadrunners
Martin Achrainer, Maki Namekawa: “Philip Glass: Songs” (Orange Mountain Music) Concerto Italiano, Rinaldo Alessandrini: “Daylight: Stories of Songs, Dances and Loves” (Naïve) Roderick Williams, Roger Vignoles: “Mirages: The Art of French Song” (Champs Hill Records) There comes a point when, driving down a long stretch of highway, you get hit with a disorienting feeling of […]