Justina Jaruševičiūtė: “Silhouettes” (Piano and Coffee Records) Camerata Zürich, Igor Karsko: “Leoš Janáček: On an Overgrown Path” (ECM) Golda Schultz, Jonathan Ware: “This Be Her Verse” (Alpha Classics) Justina Jaruševičiūtė describes the “Wolf Hour” as “that time of night in which people wake up without any particular reason and can’t fall back asleep.” It’s an […]
Tag: 20th Century
Floating in Gesture
Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras: “Brahms String Sextets” (Alpha Classics) Rebeca Omordia: “African Pianism” (SOMM Recordings) Two things have been stuck in my head lately. The first comes from Anna Stavychenko’s recent interview with my colleague Hartmut Welscher, given just before Russia’s invasion, while the Kyiv Symphony Orchestra director was on permanent red alert. […]
You Want It Darker
Gidon Kremer: “Mieczysław Weinberg: Sonatas for Violin” (ECM) Stéphane Degout, Simon Lepper: “Epic: Lieder & Balladen” (Harmonia Mundi) Anna Prohaska, La Folia Barockorchester, Robin Peter Müller: “Celebration of Life in Death” (Alpha) There are several moments in the Torah when a figure, called on by God, answers that call with a single word: Hineni. It’s […]
We Are All Ghosts
Ashley Bathgate & Kate Moore: “Stories for Ocean Shells” (Cantaloupe) Genova & Dimitrov Piano Duo: “Amy Beach: Complete Works for Piano Duo” (CPO) Anna von Hausswolff: “All Thoughts Fly” (Southern Lord) Kali Malone: “Pipe Inversions (for Kimberger III)” (Important Records) There’s a building near the Tiergarten in Berlin, just behind a section of the Zoological […]
Fuse, Liquify, Distort
I have long admired the music of Fausto Romitelli. His epic video opera, “Index of Metals” (2003) pointed toward new worlds of expressive possibilities for young composers like me writing experimental music for instruments and electronics at the start of the 21st century. The piece features a soprano and three enormous panels of colorful video […]
Roadrunners
Martin Achrainer, Maki Namekawa: “Philip Glass: Songs” (Orange Mountain Music) Concerto Italiano, Rinaldo Alessandrini: “Daylight: Stories of Songs, Dances and Loves” (Naïve) Roderick Williams, Roger Vignoles: “Mirages: The Art of French Song” (Champs Hill Records) There comes a point when, driving down a long stretch of highway, you get hit with a disorienting feeling of […]
Natural Instincts
Swedish Chamber Orchestra, Thomas Dausgaard: “Mendelssohn Symphonies 1 & 3” (BIS) The Philadelphia Orchestra, Yannick Nézet-Séguin: “Florence Price: Symphonies Nos. 1 & 3” (Deutsche Grammophon) Orchestre Métropolitain de Montréal, Yannick Nézet-Séguin: “Sibelius 3” (ATMA Classique) Yu Kosuge: “Four Elements: Water, Fire, Wind, and Earth” (Orchid Classics) Sarah Kirkland Snider, Gallicantus: “Mass for the Endangered” (New […]
A Palestinian Composers Playlist
“You come out of all this with a clear, sharp feeling that you are a stranger in all of this. Your real homeland is in exile,” composer Wisam Gibran says in Nili Belkind’s new book, Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production. “So you start to search for it—to create it—in […]
Like the Volga Singing
Psychoanalysis and opera both have an uneven relationship to feminism, to put it mildly. The former, even when challenging the disorienting, traumatic quality of patriarchy, is a product of that same power. The practice’s roots lie in Jean-Martin Charcot’s Salpêtrière hospital in Paris, which turned the confinement of so-called “hysterical” women into a public spectacle. […]
I Know, But: “Boléro”
If you remember the 1980s, you remember Ravel’s “Boléro.” Although the work became a fixture on orchestral programs shortly after its premiere in 1928, the ’80s was arguably the decade of peak “Boléro” saturation, bookended by the soundtrack for the 1979 Dudley Moore comedy, “10,” and Frank Zappa’s 1991 album, “The Best Band You Never […]