Posted inInterview

Meaning in the Parentheticals

Since winning the Pulitzer Prize for “Partita for 8 Voices” in 2013, Caroline Shaw has gone on to collaborate with musicians as wide-ranging as the Attacca Quartet and Kanye West. Her recent projects include “We Need to Talk” with Anne Carson and Opera Philadelphia and “Narrow Sea” with Dawn Upshaw, Gil Kalish, and Sō Percussion. […]

Posted inInterview

An Object Beyond Music

In 2020, composer Sara Glojnarić won Berlin’s “Neue Szenen” competition, awarded the prize by a jury chaired by Chaya Czernowin. In 2018, her work “#popfem,” which artfully dismantles anti-feminist and racist propaganda, received Darmstadt’s Kranichstein Music Prize. “I’d never thought that my identity as a queer woman could have such a strong influence on my work […]

Posted inReport

Built and Abandoned

Georg Friedrich Haas’s new orchestral work opens at the void. A solo contraforte—a sort of improved contrabassoon with a more focused, melodic tone—holds a low F#. A solo violin looks down on it from far above, playing close, dissonant intervals in the high reaches of the harmonic spectrum. Slowly, the violin descends. The orchestra begins […]

Posted inInterview

The Right Questions

A recurring dream that I’ve had for the last several years: My grandmother, a Syrian refugee who spent the last 15 years of her life in the grips of progressive dementia, shows me an attic accessible through a crawlspace in her bedroom closet. It contains a trove of books, journals, letters, and photographs from our […]

Posted inProfile

Sandcastles on the Beach

Sometimes you can figure things out just by thinking them through; sometimes you can figure them out by watching other people. But sometimes you just have to grab onto the electric fence with both hands yourself. For those of us who prefer to learn by doing (including with the occasional low-voltage shock), contemporary classical composition […]

Posted inEssay

Centuries of Silence

Only then can his creative genius begin redounding, as it should, to the glory of Black music history,” writes the musicologist Robert Stevenson in his 1982 article, “The First Black Published Composer.” Stevenson’s subject was Vicente Lusitano (ca. 1520-ca. 1561), an African-Portuguese priest and musician who enjoyed an international career. Stevenson heralds works like the […]

Posted inProfile

The Sound Just After

Cenk Ergün’s two string quartets, “Sonare” and “Celare,” composed from 2014 to 2015, started out as one work, but they are diametrically opposed. “Sonare” is built from tightly intertwined, microtonal and microscopic rhythmic patterns which repeat, the brain glossing them with the illusion of momentum. The texture calls to mind metaphors of active animals: I […]

Posted inInterview

Sonic Cultures

The Hungarian composer Peter Eötvös has lived in Germany, France, and Holland, and worked closely with Karlheinz Stockhausen and Pierre Boulez. In 2004, he returned home to Budapest. His primary motivation was the theater. Going to plays abroad, he told me, “you understand the words, but not always what’s behind them. My wife and I […]

Posted inHistory

The Smoldering Progressive

Pity Paul Dukas. For most listeners—even serious music lovers—his work is the mere soundtrack to the anthropomorphic avatars of the Disney corporation. Despite floating in the same fragrant creative broth of early 20th-century Paris as Igor Stravinsky and Claude Debussy he has been rather overshadowed by both, to say nothing of his twelve-tone contemporaries in […]

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