Posted inInterview

Fill the Cracks with Gold

Recently, I spoke with the performer, composer, dancer, and musician Elizabeth A. Baker over Skype, from her home in Florida. A large fold-out picture of Schubert and some of her own paintings hung on the walls behind her. We talked about commercial music, the discourse on diversity, and going to the sex shop for composition […]

Posted inProfile

Ritual Time

When people bring up the rituals of the classical concert hall, it usually isn’t to celebrate them. Countless blog posts, newspaper columns, and tweets have criticized the unspoken formalized rules of such performances—especially rules about when it is appropriate to clap—for being barriers to new listeners not already steeped in the culture. Whatever the merit […]

Posted inInterview

Surreal Conjunctions

The composer Annea Lockwood has been inspired by a lifelong fascination with timbre to record the sounds of rivers across the globe, to incorporate the sounds of the cosmos into her installations, to attach a music box to 20 helium balloons, and to set defunct pianos on fire just to listen to them burn. She […]

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Alchemy

The audience had to creep carefully around the performance space, as a constellation of strings were stretched at hip-height from one wall to another. Ellen Fullman had spent the day here, setting up her traveling installation, the Long String Instrument; she had stretched dozens of stainless steel and phosphor bronze strings across the room in […]

Posted inPlaylist

A Giacinto Scelsi Playlist

The only proper word for the music of the self-taught Italian composer Giacinto Scelsi is “sublime.” Not in the common sense of the word, which comes to something like “very good”—but in the sense that Moses Mendelssohn understood it, that is, something that is frightening and overwhelming and pleasing and painful and immense and transcendent […]

Posted inInterview

DNA Of Our Time

An elderly woman flicks the switch on a silver box. Inside a glass container a yellow light turns on and low electric hum begins to sound. She blinks. With her bandaged hand on a wooden handle, she slides some kind of sheet of paper, with metallic stubs, through the hanging strips of a mysterious machine. […]

Posted inInterview

Prisms

The French composer Mark Andre writes music of a vivid, fragile melancholy. To me, it sounds modest, careful, and penetrating, like W.G. Sebald’s book The Rings of Saturn, in which precise observations of landscapes, meals, rooms, and destruction accumulate to devastating effect. I met Andre one rainy afternoon in a café in Berlin, where he […]

Posted inEssay

Doom and Womb

Few pieces within the contemporary classical repertoire concern themselves solely with pregnancy, a fact of which I am all too aware as someone living a double life as a music writer and a reproductive rights activist. Examples of womb-centric compositions include chamber and orchestral works by Dai Fujikura, in which he appropriates and musicalizes his […]

Posted inInterview

Boundaries

During this year’s Ojai Music Festival in Ojai, California (June 8-11), I met up with George Lewis, the Edwin H. Case Professor of American Music at Columbia University, to discuss his opera “Afterword,” which received its West Coast premiere at the festival on June 9. The theme of this year’s Ojai Music Festival, directed by […]

Posted inProfile

Anonymous Man

Shortly after 10 a.m. on the morning of Monday April 24, 1865, a ferry set out across the Hudson River from a landing in Jersey City. Bedecked with symbols of patriotism and mourning, it held the corpse of the assassinated Abraham Lincoln, en route from the place of his death in Washington D.C. to his […]

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