I’ve known Georg Friedrich Haas for many years, first as a teacher and later as a friend and mentor, and his music has been a constant source of inspiration. Ahead of the North American premiere of his monumental “11,000 Strings” for 50 microtonally attuned pianos and chamber orchestra performed by Klangforum Wien at the Park […]
Author Archives: William Dougherty
William Dougherty is a composer, sound artist, and writer based in Seattle. His work has been published in Tempo, Music & Literature, and elsewhere. He is the Founding Editor-in-Chief of the experimental interdisciplinary arts journal openwork and co-editor of a special issue of Contemporary Music Review on the music of Éliane Radigue.
Posted inInterview
“It’s A Gift to Be Simple”
When I first heard the music of Tom Johnson at a concert in Basel in 2013, I was immediately struck by its humor and unassuming simplicity. In contrast to the weighty works of the late 20th-century European avant-garde, Johnson’s music was a breath of fresh air. There were no hidden layers. It was transparent and […]
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Fuse, Liquify, Distort
I have long admired the music of Fausto Romitelli. His epic video opera, “Index of Metals” (2003) pointed toward new worlds of expressive possibilities for young composers like me writing experimental music for instruments and electronics at the start of the 21st century. The piece features a soprano and three enormous panels of colorful video […]
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The Riddle of Silence
Michael Pisaro is an American composer, guitarist, and early member of the Wandelweiser Group. He teaches music composition at CalArts, where he is the founder and director of the Experimental Music Workshop. His 75-minute immersive work “A wave and waves” (2007) for 100 performers will be featured at the Lincoln Center Mostly Mozart Festival on […]
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I Did That
Recently elected as a member of the American Academy of Arts and Letters at the age of 92, Ben Johnston is taking some time to reflect on his life’s work. As a composer who radically pushed the expressive possibilities of non-tempered harmony for over six decades, Johnston holds an important position in 20th-century American music, […]
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Phantoms
Pauline Oliveros’ last work, “The Nubian Word for Flowers: A Phantom Opera,” is coming to life thanks to the work of her partner and close collaborator of more than 30 years, Ione—an acclaimed author, playwright/director, sound/text artist, and dream specialist in her own right. The joint production between Experiments in Opera, International Contemporary Ensemble (ICE), […]
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Disappearing Act
The rarely performed music of Horatiu Radulescu, the iconoclastic Romanian composer and self-described founder of spectralism, will be at the center of an ambitious upcoming three-day festival at Acker Stadt Palast in Berlin on October 19-21. Organized by Iranian composer and conductor Arash Yazdani and his Ensemble for New Music Tallinn (ENMT) in honor of […]
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Unified Music
The American composer George Crumb lives in an unassuming two-story house, tucked away on an acre plot of land in Media, Pennsylvania, a sleepy suburb of Philadelphia. Recently, he met me at the local train station in his old maroon Toyota, and after a short drive along winding back roads, we arrived at his longtime […]
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Recurring Themes
Maintaining an active career performing with major orchestras around the world, Canadian-American violinist Leila Josefowicz has managed to walk the line between the expected standard repertoires for violin and orchestra and more daring new works. As a testament to this, over the past year, Leila has performed Sergei Prokofiev’s “Violin Concerto No. 1” (1917), Alban […]
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Head On
Composer, percussionist, improviser, and UC Irvine professor Lukas Ligeti spoke with me from his home in Bushwick, New York, for nearly two hours coming off the heels of an evening showcasing his works at National Sawdust in Brooklyn. As the only son of György Ligeti, one of the most innovative and influential composers in the […]