Posted inEssay

Eccentric Physics

Set and Setting It was Wednesday, early October. I had borrowed a friend’s kitchen to make 100 servings of strudel for my six-year-old son’s school event, and I was listening to John Cage’s “Music of Changes,” which takes form through chance operations and the wisdom of the I Ching.  Earlier in the morning, I’d made […]

Posted inEssay

The Last Romantic

“Guero” for piano  Soft, almost imperceptible sounds for minutes.  In concert, the work has a paradoxical effect: What we see is the traditional virtuoso performance situation. What we hear is a microcosm of perforated percussion sounds in quadruple pianissimo.  And then, at the very end: Two different strings in the high register are softly plucked. […]

Posted inInterview

The Generator

I first met the composer Huang Ruo in 2017 at a crosstown bus stop in New York after a performance of Pierre Boulez’s “Repons” at the Park Avenue Armory. We talked about the effect of the chamber group situated in the middle of the audience, surrounded by the soloists and amplification, with waves of sound […]

Posted inOpinion

Is Beatrice Venezi’s Appointment Really Based on Merit?

Everywhere you look, politics are seeping into opera. In New York, Metropolitan Opera General Manager Peter Gelb, accompanied onstage by Democratic senator Chuck Schumer, gave a rousing opening-night speech defending freedom of artistic expression. The Met’s audience, not usually known for its progressiveness, booed Schumer for failing to endorse mayoral candidate Zohran Mamdani. Three weeks […]

Posted inBarTálk

The Clear White Light

In a staging of John Tavener’s “The Protecting Veil” at Clapton’s Round Chapel at Spitalfields Music Festival on Sunday, director Anna Morrissey led musicians and dancers from Trinity Laban Conservatoire of Music and Dance in an expressive set of stage pictures, loosely following the scheme of Tavener’s work. “The Protecting Veil” collects a set of […]

Posted inInterview

What is the Work / What is the World

There is something strange in the ancient woodlands of Jeløya island. Were it not for the little orange sign staked into the ground, you might almost not notice it, so subtle is “The Grey Zone (NeverWhere),” an installation by Jacob Kirkegaard for this year’s edition of the Momentum Biennale in Norway. The loudspeakers are carefully […]

Posted inProfile

Confluence

“Into the Night,” a new work for sitar, Indian classical ensemble and orchestra by sitarist and composer Jasdeep Singh Degun, begins with a nocturnal luminescence. Warm shimmering string tremolos give a harmonic foundation, over which  a sitar melody blooms with bright, undulating streams of notes. These solo melodies become energetic dialogues. The esraj (a bowed […]

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