Posted inBarTálk

The Clear White Light

In a staging of John Tavener’s “The Protecting Veil” at Clapton’s Round Chapel at Spitalfields Music Festival on Sunday, director Anna Morrissey led musicians and dancers from Trinity Laban Conservatoire of Music and Dance in an expressive set of stage pictures, loosely following the scheme of Tavener’s work. “The Protecting Veil” collects a set of […]

Posted inInterview

What is the Work / What is the World

There is something strange in the ancient woodlands of Jeløya island. Were it not for the little orange sign staked into the ground, you might almost not notice it, so subtle is “The Grey Zone (NeverWhere),” an installation by Jacob Kirkegaard for this year’s edition of the Momentum Biennale in Norway. The loudspeakers are carefully […]

Posted inProfile

Confluence

“Into the Night,” a new work for sitar, Indian classical ensemble and orchestra by sitarist and composer Jasdeep Singh Degun, begins with a nocturnal luminescence. Warm shimmering string tremolos give a harmonic foundation, over which  a sitar melody blooms with bright, undulating streams of notes. These solo melodies become energetic dialogues. The esraj (a bowed […]

Posted inProfile

The Tomb or the Mouth

Dead or alive, neither dead nor alive, I am the opening, the tomb or the mouth, the one inside the other.  —Jean-Luc Nancy, Corpus pre-face Difficulties: with that word. How to read it? Two options. The first and most obvious suggestion is of a sustained consideration, long overdue, to the knotty, the many, and the […]

Posted inPlaylist

A Wendy Carlos Playlist

At 85, Wendy Carlos remains an enigmatic figure in the world of classical music. Intensely private, she has not granted an interview request in over 15 years. When the first book-length treatment of her life and work was published in 2020— without her consent—Carlos trashed it on her personal website, calling it “mean-spirited” and “presumptuous,” […]

Posted inReview

The Dissolving of the Line

Under the artistic triumvirate of Marie-Therese Bruglacher, Laure M. Hiendl and Bastian Zimmermann, Musik Installationen Nürnberg—in its second edition following a 2022 debut—set out to present music differently: “not as a normal concert, but as an experience in space.” But what happens to music when it leaves the concert hall and instead latches onto a […]

Posted inInterview

Dialogues

Both Catherine Lamb and I arrive for our interview in a west Berlin park slightly distracted, and the universe works to make us more so. First, a bird in a bush behind our bench insists on everyone hearing its loud, virtuosic song; we swiftly relocate to the grass in the middle of the square. Then, […]

Posted inEssay

God’s Time

On a frozen evening in Silesia in January 1941, a young French composer, along with three other prisoners of war, performed an hour-long, eight-movement work for piano, cello, violin and clarinet to a rapt audience. “From the moment I read the back-of-an-album summary…the story of the premiere was inseparable from the music,” Michael Symmons Roberts […]

Posted inEssay

Sitting Down, Standing Up

His very first composition journal is dated 1983, one year after completing his university studies in Vienna and so the first year he could properly consider himself a composer. Peter Ablinger was forever putting things in varying piles and compartments, time and space very much included. “Sometimes I think I might have been an archivist […]

Verify your email

We'll send a verification code to .

Sign up for newsletters

Get the best of VAN Magazine directly in your email inbox.

Sending to:

Gift this article