Listening to Magnus Lindberg’s most famous piece, the 1985 work for ensemble, electronics, and orchestra “Kraft,” is a little like getting slapped in the face in super slow motion: You know it’s going to knock you over, but you can’t help appreciating the texture and graceful arc of the hand. Like his colleagues Esa-Pekka Salonen […]
Tag: Composers
Posted inReview
Modal Incantations
Who was Yvonne Loriod? To most, she is known as a virtuoso pianist, an inspirational teacher at the Paris Conservatoire, and the dedicatee of many pieces by Olivier Messiaen, whom she married in 1961. Few are aware that she was also a composer, which is hardly surprising as none of her works were published in […]
Posted inReport
Played Off
Unless you’re one of about 20 or so leading composers worldwide, chances are you’re not making a living solely from your art. The barriers for entry into this group are incredibly high, and getting higher: dwindling commission fees, organizations with smaller commissioning pots buddying up to fund a shrinking pool of composers, a sharp, widely […]
Posted inPlaylist
A Music and Chess Playlist
When he wasn’t busy scoring for the likes of Sergio Leone, Pier Paolo Pasolini, Marco Bellocchio, Bernardo Bertolucci, Elio Petri, Brian De Palma and Terrence Malick, Ennio Morricone could be found hunched over a chessboard. He was a good enough player to hold former world champion Boris Spassky—who famously lost to Bobby Fischer in 1972—to […]
Posted inReview
The Interpenetration of Things
Inspired by the ancient legend of Indra’s net, which depicts the Buddhist concept of interpenetration, Meredith Monk’s latest work metaphorizes the interdependency of humans with the natural world. “Indra’s Net” meditates on the earth’s vulnerability through a multimodal interplay of sound, silence, gesture, space, and time. Throughout the performance, Monk, her cohort of seven other […]
Posted inProfile
Befores and Afters
I know, I imagine that this unanalyzable feeling changed what there remained for him of existence. As if the death outside of him could only henceforth collide with the death in him. “I am alive. No, you are dead.”—Maurice Blanchot, “The Instant of My Death” When a poet puts off an old style… he or […]
Posted inOpinion
The Case for a New Music Theater
I. “You Want to Stop Listening” 1996, Bregenz Festival. The semi-staged world premiere of my opera “Nacht” on texts by Friedrich Hölderlin. The journalist Reinhard Kager predicted that the work would have a great future. Looking back, I understand why. Thanks to the spare scenic means (different plot strands were illuminated using different kinds of […]
Posted inProfile
Heads Will Roll
We do not speak of horror. (Well, not in public, anyway.) It has been the tacit agreement of two generations of new music that cinematic horror is the forbidden aesthetic referent: a real and prevalent influence but one whose admittance is generally deemed more detrimental to the cause than worth its expository fruit. In private conversation, […]
Posted inInterview
Open Garten
Walter Zimmermann’s music has a rare combination of stasis and flow. It wanders without being lost. It communicates calm curiosity and curious calm. Many composers have written music about nature, but Zimmermann’s is one of the few musics that seems as if nature itself could have created it. In April, he turned 75. On Friday, […]
Posted inEssay
Me and Ruth in Berlin
In 1930, Ruth Crawford went to Berlin. Nearly a century ago, she was a few years younger than I am now. I imagine a young American woman deeply intrigued (intimidated?) by her European contemporaries and eager to feel “the scene” under her feet. I can relate. In a 2017 New York Times portrait, William Robin […]