In my adopted home of Berlin, it’s possible to cycle past the Konzerthaus, the Staatsoper, the Komische Oper and the Philharmonie in the space of around 10 minutes, 15 if you’re pedaling flaneur-style. On a warm weekend, tourists drift down Unter den Linden, a large boulevard leading to the Brandenburg Gate, like schools of fish; […]
Tag: Music & Equity
Posted inHistory
My Racist Kentucky Home
In July 1957, Frank Chelf, a Democratic congressman from Kentucky brought his harmonica to the Capitol. As members of the House Rules Committee (and a photographer from the Associated Press) looked on, Chelf played “My Old Kentucky Home,” a 19th-century ballad his state had adopted as its official song. “The sun shines bright in the […]
Posted inEssay
Platétudes
Musical activism reached its zenith in the wake of the political turbulence of the 1960s and ‘70s. From Bob Dylan’s “With God on Our Side” to Sam Cooke’s “A Change is Gonna Come,” the cold war era was a time when people, even faced with the prospect of global annihilation, still believed in the power […]
Posted inReport
Season In, Season Out
On September 30, 2002, two civil rights lawyers, Johnnie L. Cochran, Jr. and Cyrus Mehri, released a report called “Black Coaches in the National Football League: Superior Performance, Inferior Opportunities.” By then, the problem of diversity in the sport had already been widely acknowledged. “A panel of ESPN experts were asked their opinion on the […]
Posted inReport
White Noise
Nobody should have to write again that classical music has a race problem. We find ourselves here time and again, overseers of an all-too slow change, making the repeated case for equality. But my recent discovery of white-supremacist and neo-Nazi forum Stormfront’s penchant for classical music got me thinking a little more about how to […]
Posted inInterview
Malleable Structures
The composer and performer Tyshawn Sorey was in Berlin recently as the very first Artist in Residence at the Berlin Festival’s JazzFest. At a concert on November 2, he played an array of highly differentiated sounds, combining subtly with his trio colleagues Christopher Tordini and Cory Smythe. For large chunks of the work, Sorey’s face […]
Posted inInterview
The Discovery Phase
The Center for Black Music Research (CBMR) is an independent research unit of Columbia College Chicago devoted to the documentation, research, preservation, and dissemination of information about the history of black music on a global scale. I recently spoke with Melanie Zeck, Research Fellow with the Center, over Skype. Zeck joined the CBMR in 2005, […]
Posted inInterview
Speaking Through The Moment
Saul Williams is a rapper, actor, musician, and slam poet who toys with the sounds of syllables, words, and terminologies. Classical composers, such as Thomas Kessler and Ted Hearne, have found themselves inspired by his texts. We spoke with him about resistance, colonialism, and why he only sits when he’s performing with a string quartet. […]
Posted inInterview
Boundaries
During this year’s Ojai Music Festival in Ojai, California (June 8-11), I met up with George Lewis, the Edwin H. Case Professor of American Music at Columbia University, to discuss his opera “Afterword,” which received its West Coast premiere at the festival on June 9. The theme of this year’s Ojai Music Festival, directed by […]
Posted inReport
The Age-Old Problem of Aging
There’s a strange clip after a beautiful performance in “I Am The Violin,” the 2004 documentary about violin virtuoso Ida Haendel. On a simple string crossing in the first movement of the Brahms Concerto, Haendel’s bow bounces uncontrollably. She recovers within seconds, and the incident hardly registers in the scope of the performance. Yet the […]