Born in 1955 in Rheinberg, Germany, and raised in Westphalia, Eva-Maria Houben’s musical career commenced at the age of 12 when she began playing organ in Sunday services at the church where her father worked as a presbyter. Subsequently working as a teacher at both school and university level, she has written numerous books of […]
Tag: New(ish) Music
Posted inInterview
“I Will Always Have a Place in this World”
Bassoonist-composer Joy Guidry is on a roll: In February they released their latest album, “Radical Acceptance”; they were the winner of the 2021 Berlin Prize for Young Artists; they will be starting a doctoral program in bassoon in the fall at the University of California San Diego. Guidry’s work extends beyond performing, composing, and improvising; […]
Posted inStuff I’ve Been Hearing
Only Connect
Nicholas Phan, Brooklyn Rider, et. al.: “Stranger – Works for Tenor by Nico Muhly” (Avie) London Choral Sinfonia, Michael Waldron, et. al: “Colourise” (Orchid Classics) In his program notes for “Stranger,” Nico Muhly writes that he “almost always” prefers prose to poetry as a composer; setting prose “offers a more oblique entry-point into the text.” […]
Posted inInterview
Becoming Sound
On stage, there is something of a Monsieur Hulot-esque quality to Joëlle Léandre. She hunches over her big double bass, leaning forward with furrowed brow, huffing and puffing as she plays, sometimes letting those huffs and puffs emerge as full-throated vocalizations, each one a triumphant bof! of simultaneous exultation and exasperation. Watching her solo set […]
Posted inStuff I’ve Been Hearing
Between Cosmos and Chaos
Martin Fröst, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra: “Jesper Nordin: Emerging from Currents and Waves (Live)” (BIS) Angélique Kidjo, Filharmonie Brno, Dennis Russell Davies: “Philip Glass: Symphony No. 12, ‘Lodger’” (Orange Mountain Music) Nightingale String Quartet: “Vagn Holmboe: String Quartets, Vol. 2” (Dacapo) If Elon Musk’s Twitter deal had gone through, would there have been […]
Posted inInterview
Conscious Decoupling
“Hi, my name is Flora and I am an instrument.” With these words, Flora Marlene Geißelbrecht introduced her program, titled “Viola and Voice, Sybils and Songs,” for the Berlin Prize for Young Artists. But it wasn’t just a welcome—it was also a description and a summary, in typically laconic Viennese fashion. The young Austrian was […]
Posted inReview
Love, Anger, Agency
Kate Molleson begins Sound within Sound: Opening Our Ears to the Twentieth Century with a loud call for change. “I write this book out of love and anger. The love, because I want to shout from the rooftops that classical music is gripping, essential, personally and politically game changing. The anger, because I can’t shout proudly about a […]
Posted inInterview
The Birth of a New Ritual
As a child, Alvin Curran would lie in bed at his parents’ Providence, Rhode Island home and listen to the counterpoint between the booms of trains shunting together at a nearby rail yard and foghorns down at the harbor a few miles away. “Was that a piece of music?” I ask him. “Absolutely,” he replies. […]
Posted inStuff I’ve Been Hearing
That Moment of Thought
A quote that lives in my phone’s screenshots: “The truest program note of all time is… ‘This is what I was thinking about and what grew out of that moment of thought.’” Sadly, I saw it presented without attribution and have struggled to find a source since, but it’s one I go back to often—especially […]
Posted inStuff I’ve Been Hearing
An Elegant Matrix
Patricia Kopatchinskaja, Joonas Ahonen: “Le monde selon George Antheil” (Alpha Classics) Florent Ghys: “Ritournelles” (Cantaloupe) Florent Ghys: “Mosaïques” (Cantaloupe) Latvian Radio Choir, Sigvards Kļava: “John Cage: Choral Works” (Ondine) The fact that you are reading this article right now owes much to a request posed to composer George Antheil in 1940: “Hedy Lamarr wants to […]