On March 18, the trumpet player Håkan Hardenberger celebrated his 60th birthday with a concert with the Swedish Radio Symphony Orchestra, where he performed Brett Dean’s trumpet concerto “Dramatis personae,” and smiled gamely (and sipped champagne) through an encore rendition of the theme from “Superman” in his honor. (Disclosure: As with my recent interview with […]
Tag: New(ish) Music
Posted inInterview
Personal Mathematics
“Music,” says composer and woodwind player Roscoe Mitchell, “is a science.” The octogenarian is in Bergen, Norway, for the city’s annual Borealis Festival of experimental music. In a few days’ time, he’ll bring the weekend to a thrilling close with two sets, one solo (accompanied by several pre-recorded videos of himself improvising at home), and […]
Posted inStuff I’ve Been Hearing
The Polyhedral Spree
Ramon Lazkano, Neue Vocalsolisten Stuttgart, L’Instant Donnée, Johanna Zimmer, Manuel Nawri: “Diptyque Jabès” (Odradek) Les Siècles, François Xavier Roth, et. al.: ”Pelléas et Mélisande” (Harmonia Mundi) Kate Soper: “The Understanding of All Things” (New Focus Recordings) The Syrian poet and diplomat Nizar Qabbani wrote that words are like sparrows: they don’t require travel visas. I […]
Posted inStuff I’ve Been Hearing
Artifacts of Past and Future
Svyatoslav Lunyov: “Panta Rhei” (Ukrainian Live Classic) Valentyn Silvestrov: “Requiem for Larissa” (Ukrainian Live Classic) Alla Zahaykevich: “Nord-Ouest” (Ukrainian Live Classic) Over the last week, I’ve jotted down several aphorisms from composer Svyatoslav Lunyov, in slapdash, automated translations from their original Ukrainian. “The artist is like a spider,” he told the Kyiv Daily. “To catch […]
Posted inStuff I’ve Been Hearing
Different Trains
Eric Nathan, Boston Modern Orchestra Project, Gil Rose, et. al.: “Missing Words” (New Focus Recordings) Danielle Eva Schwob, PUBLIQuartet, et. al.: “Out of the Tunnel” (Innova) Judd Greenstein, yMusic: “Together” (New Amsterdam) A few weeks ago, in this column, I wrote about that moment when you’re driving along a highway at consistent speed and you […]
Posted inStuff I’ve Been Hearing
We Are All Ghosts
Ashley Bathgate & Kate Moore: “Stories for Ocean Shells” (Cantaloupe) Genova & Dimitrov Piano Duo: “Amy Beach: Complete Works for Piano Duo” (CPO) Anna von Hausswolff: “All Thoughts Fly” (Southern Lord) Kali Malone: “Pipe Inversions (for Kimberger III)” (Important Records) There’s a building near the Tiergarten in Berlin, just behind a section of the Zoological […]
Posted inProfile
Fuse, Liquify, Distort
I have long admired the music of Fausto Romitelli. His epic video opera, “Index of Metals” (2003) pointed toward new worlds of expressive possibilities for young composers like me writing experimental music for instruments and electronics at the start of the 21st century. The piece features a soprano and three enormous panels of colorful video […]
Posted inStuff I’ve Been Hearing
Movement in the Shadows
Sabine Devieilhe, Raphaël Pichon, Pygmalion: “Bach & Handel” (Erato) Sean Friar, NOW Ensemble: “Before and After” (New Amsterdam) Anthony Roth Costanzo, Justin Vivian Bond: “Only an Octave Apart” (Decca) All easygoing years are alike; each exhausting year is exhausting in its own way. For 2022, I can place my breaking point at West Elm Caleb. […]
Posted inStuff I’ve Been Hearing
Natural Instincts
Swedish Chamber Orchestra, Thomas Dausgaard: “Mendelssohn Symphonies 1 & 3” (BIS) The Philadelphia Orchestra, Yannick Nézet-Séguin: “Florence Price: Symphonies Nos. 1 & 3” (Deutsche Grammophon) Orchestre Métropolitain de Montréal, Yannick Nézet-Séguin: “Sibelius 3” (ATMA Classique) Yu Kosuge: “Four Elements: Water, Fire, Wind, and Earth” (Orchid Classics) Sarah Kirkland Snider, Gallicantus: “Mass for the Endangered” (New […]
Posted inInterview
The Fault in our Chords
Born in 1985, the Swedish composer Lisa Streich writes music of engrossing timbral and dramaturgical subtlety, often using traditional instruments prepared or modified by small, homemade, motorized devices. Listening to her pieces, I sometimes feel like I’ve been shrunk down to molecular size and placed inside a music box where noisy mechanics blend with pitched […]