Daisy Press: “You Are the Flower — Music from Hildegard von Bingen, Vol. 1” (StorySound Records) Kotoka Suzuki: “Shimmer, Tree” (Starkland) Halla Steinunn Stefánsdóttir: “strengur” (Carrier Records) “The quality that we call beauty,” writes Jun’ichirō Tanizaki, “must always grow from the realities of life, and our ancestors, forced to live in dark rooms, presently came […]
Tag: New(ish) Music
Posted inInterview
Advanced Easy Listening
Christof Dienz is a composer, zither player, and bassoonist, born in Innsbruck in 1968. This year he was joint artistic director—along with composer Clara Iannotta—of the Klangspuren (“Sound Traces”) festival in Austria. Based in the small Tyrolean town of Schwaz in the Austrian Alps, Klangspuren features 18 concerts given over 18 days in venues around […]
Posted inBreaking
Unveiling
On September 13, a 22-year-old Iranian-Kurdish woman named Mahsa Amini was detained by the Islamic Republic of Iran’s “morality police” in Tehran. Three days later, she died in police custody. Protests erupted around the country, and while their causes are manifold, they have been led by women and take as their primary target what Iranian […]
Posted inInterview
A Glutton for Sound
As a Southcentral Alaskan kid in the early ’90s, I was unaware of the composer patiently crafting his strict and sensuous body of work 600 miles to the north, close to the Arctic Circle. In 2013, after living, studying and composing for a decade on the Eastern Seaboard, I co-founded a new music project in […]
Posted inStuff I’ve Been Hearing
The Textural and the Tactile
Robert Levin: “Mozart: The Piano Sonatas on Mozart’s Fortepiano” (ECM) Diyang Mei, Oliver Triendl: “Viola à l’école de Paris” (Avi Music) Claire Bryant: “Whole Heart” (Bright Shiny Things) In Richard Eyre’s 2004 film “Stage Beauty,” the London theater scene is at a crossroads when King Charles II allows women to legally perform onstage for the […]
Posted inPlaylist
An Autumn Equinox Playlist
I’m not here to shit all over Vivaldi’s “Four Seasons,” but I do believe that the Venn Diagram between people who consider the composer’s “Autumn” to be the epitome of fall-inspired classical music and people whose image of autumn stops at Pumpkin Spice Lattes and rewatches of “Hocus Pocus” is a circle. On the eve […]
Posted inInterview
The Beautiful Moment
Wadada Leo Smith plays the trumpet with a brilliant, forceful sound and has been a major creative figure in jazz for over 50 years. This century, his importance and prominence as a composer have grown. His beautiful and moving large-scale piece, “Ten Freedom Summers,” made him a finalist for the Pulitzer Prize in Music in […]
Posted inStuff I’ve Been Hearing
The Best is Noise
In an ongoing effort to spend as little time as possible with my own thoughts, I often have something on: A new album, a podcast, an audiobook, the same recording of “Chess” that I’ve been playing into warped oblivion for the last two decades… They all more or less see the same concentrated output of […]
Posted inInterview
Targeted Melodies
In “What Grieves Frenzy Drown’d,” an album released on SCRIPTS Records in April by 27-year-old New York-based guitarist Alec Goldfarb, melodies rise out of coarse microtonal string textures like strange objects—both ancient and modern, water-smooth rocks and plastic detritus—found on a rough-hewn beach. Occasionally these melodies sound familiar, influenced by Goldfarb’s immersion in Indian classical […]
Posted inStuff I’ve Been Hearing
Under the Influence
Colin Jacobsen, Eric Jacobsen, Karen Ouzounian, The Knights: “The Kreutzer Project” (Avie) Vladimir Jurowski, Bayerisches Staatsorchester: “Beethoven: Symphony No. 2, Brett Dean: ‘Testament’” (BSO Recordings) Let’s talk about Beethoven’s second violin concerto. By which I mean his “Kreutzer” Sonata. Of course, the “Kreutzer” Sonata isn’t a concerto in the strictest sense of the word. But […]