Nadia Boulanger was one of the most important teachers of the 20th century, but she was active as a creative artist for only a small part of her long life. Her opera “La ville morte” (“The Dead City”) was begun in 1909; composed in collaboration with her mentor Raoul Pugno, it’s her most substantial work, […]
Tag: Women in Music
Augusta Holmès’s Most Virile Works, Ranked
Have you ever wondered why they call it the long 19th century? From Beethoven’s hammering martellatos, to Wagner’s massive, veiny works that seem to last forever, to Liszt’s immense hand size (…), the Romantic period was in many ways a musical virility contest with many—many—climaxes. But there was one composer who critics considered the most […]
Explosions of the Voice
When I spoke to Paola Prestini over Zoom, we immediately started talking about her dream to make an opera from Elena Ferrante’s My Brilliant Friend, a novel about two women whose lives are forged in response to each other. Prestini’s music is just as defined by her collaborations. In an interview ostensibly about her, she […]
Creative Heroes
Filmmaker Sheila Hayman’s new documentary, “Fanny: The Other Mendelssohn,” premiered last month in London, takes as its subject Hayman’s great-great-great-grandmother, the prolific composer Fanny Hensel. The film provides the rare experience of viewing a documentary devoted to one woman composer, its thorough research portraying Fanny as both a musical genius who composed masterpieces and a […]
How to Measure Love
New music mourns with a strange and violent passion. Each announcement of the death of a major composer sparks a river of public grief that is always torrential at its mouth—floods of tributes, letters, anecdotes, love notes, lessons, all offered in the reification of the dead. In the days that follow, the artist’s work receives […]
A Kaija Saariaho Playlist
The world lost a bit of its wonder on June 2, when Kaija Saariaho died at the age of 70 following a battle with glioblastoma. Diagnosed with the aggressive brain cancer in early 2021, Saariaho gave no major announcement about her health, nor did she document the two years of treatment that followed. When she […]
Breaking Points
Cassandra Miller is all process. It’s not the same word that Steve Reich thought a gradual, directional inch through time, but something more all-encompassing, that goes far beyond any finished product. In the past few years, process and its verb-y associates–transcribing, improvising, collaborating, balancing, musicking–have become the primary concerns in Miller’s creative life. Though this […]
Aesthetic Camouflage
What do you do?” The Outline asked in 2019. “I’m a podcaster–vlogger–model–DJ,” they replied, rhetorically and hyphenatedly. The gig economy has brought with it a host of new containers (like the egregious “multi-hyphenate”) to describe artists who traverse multiple creative pursuits—artists who a generation ago might have been called a dandy, a flâneur, or, more […]
Out of the Woods
In the studios at Maida Vale, the BBC Symphony Orchestra and BBC Singers are warming up for a world premiere recording. It’s an opera that once graced the stages of Covent Garden in London, the Metropolitan Opera in New York, and the Berlin State Opera. But the piece has gone without a professional performance for […]
Fabric of Her World
“As with Ethel, Rebecca’s friendships were the very fabric of her world,” writes the musicologist Leah Broad in Quartet: How Four Women Changed the Musical World. Queer academia’s gleeful dismantling of history’s “just friends” trope has ventured as far as the Gen Z mainstream, with Atlanta TikToker Oublaire’s sage reminder that “History Hates Lovers.” (“Historians […]
