“Your voice…is attracting the most discerning audiences.” In the 1994 film “Farinelli,” the actor and performer Graham F. Valentine looks down at the kneeling castrato, delivering faint praise in a nobleman’s reedy French. His normal speaking voice is a bass-baritone with a Scottish accent; he can also sing in a penetrating head voice. In this […]
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Posted inEssay
Performing Creativity
When I was starting out as a composer, in Canada in the early 1990s, being a composer was the opposite of being a business person. A few composers devoted a small amount of attention to promoting their work, which seemed both admirable and quirky; but if anyone was too self-promoting, it seemed like they were […]
Posted inInterview
Succession
I reached the French composer Tristan Murail on a Tuesday afternoon at his home in Provence. Since moving back to Europe from New York, where he taught at Columbia University for 13 years, Murail has built himself a kind of comfortable semi-retirement, though he is still composing and teaching: family, year-round good weather, separate studio, […]
Posted inInterview
Paper Music
The South African composer Philip Miller isn’t in his room. I’m at the reception of Berlin’s Ellington Hotel, and I’m about to go home, but there he is, hurrying around the corner. There were some last minute technical problems in his work “Refuse the Hour,” a collaboration with the artist William Kentridge and the choreographer […]
Posted inOpinion
Redundant Space
On June 19, I saw the English National Opera’s production of “Tristan und Isolde.” Besides the cast, the house advertised its collaboration with the British-Indian artist Anish Kappoor, who doubled as the production’s set designer. Employing a famous artist as a set designer is an appealing double whammy for opera houses, promising both creative constructions […]
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Preservation
“Messiaen is not so present here, but he is very present in me.” On June 20, Pierre-Laurent Aimard, the pianist and first non-UK based artistic director of the Aldeburgh Festival, realized the composer’s “Catalogue d’oiseaux” indoors and outdoors in nature in Suffolk, England. It was his last major project at the festival, where he has […]
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Dissonant and Fabulous
From August 24 to 27, at the Mostly Mozart festival, the American choreographer Mark Morris will present a series of dances to music by the festival’s namesake; on September 8, he’ll show work set to Lou Harrison and Erik Satie at Texas State University. Speaking of Lou Harrison: call the Mark Morris Dance Center on […]
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Mythology Of Our Time
This Tuesday, I spoke with John Adams by phone from his studio, in Northern California. He will be the Artist in Residence at the Berlin Philharmonic next season, and I thought I’d give him some unsolicited advice about techno music here. Does he listen to it? “Sometimes.” Berlin also has a reputation as a paradise […]
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Two Tracks
At the age of two and a half, somewhere in Calcutta, Samir Chatterjee approached a tabla. An observer noticed and told his parents to give him the opportunity to learn it. He found his first teacher at age 11; he was allowed to perform alone for the first time at 15. (There’s a story about […]
Posted inEssay
Mental Composers
Throughout history, artists, composers, and musicians have been plagued by personal demons. As a society, we adore the works of Beethoven, perhaps due in part to the crippling emotional impact his deafness had on his music. We appreciate Schumann, though he went insane through the latter stages of syphilis. But is there a more modern […]