Every time cultural organizers huddle to pick a festival theme, their brainstorming heat surely counts as a modest contribution to global warming. In today’s attention economy—where information is overabundant and rage-bait has surpassed click-bait like an evolved Pokémon—art institutions are forced to perform the same precarious dance, navigating survival and relevance under the increasingly standardized […]
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Posted inEssay
They Toll For Thee
Bells call people to pray, to mourn, to marry. They pass them news of war, peace, fire, and flood. On a sweltering August afternoon in London, they summoned me to the Royal Albert Hall. That night’s performance of Mahler’s Symphony No. 2 from The Hallé at the BBC Proms was partly special because it was […]
Posted inEssay
A Feast of Symbols
Lighting up mid-conversation, Murat Erginol sat at a coffee shop in the breezy, open-air halls of Atatürk Culture Center, Istanbul’s premier performing arts complex. Erginol, wispily bearded and quick to smile, is, among other accolades, first violinist of the Gedik Philharmonic Orchestra, one of Turkey’s many privately sponsored ensembles. Then rehearsing “The Four Seasons” by […]
Posted inI Know, But
I Know, But: “Appalachian Spring”
With Trump’s tanks rolling down Pennsylvania Avenue and combat-fatigued foot soldiers guarding masked ICE agents in Los Angeles, who’s listening to “Appalachian Spring”? How does Aaron Copland’s World War II-era patriotic evocation of the American pastoral strike our ears in an era of xenophobic, gun-toting vigilantism, when small towns are propagandized as the last stand […]
Posted inInterview
The Architecture of Bodies
Ted Huffman is one of the most successful American opera directors at work in Europe. His vivid stagings of classic and contemporary works are characterized by a sensitive engagement with music and text, as well as precise and detailed work with his singers. Perhaps surprisingly for a young and in-demand director, he does not have […]
Posted inReview
Strength in Absence
In late September 1940, a month after negotiations between the French and German governments dissolved the Third Republic and established the Vichy regime under Marshal Pétain, Walter Benjamin found himself a refugee with dim prospects for legal exit from France. The German-Jewish man of letters boarded a train from Marseilles toward the Spanish border with […]
Posted inOpinion
Solidarity When It Suits
On Saturday, Oliver Mears, the director of opera at London’s Royal Ballet and Opera, walked on stage at the curtain call of “Il Trovatore” to try to take down a Palestine flag that was unveiled by a dancer. Mears began to aggressively rip the flag from the performer’s hands, then stormed off the stage when […]
Posted inInterview
The Depths of Darkness
“When I finish a cycle with Broadway tunes, or what I would call The Pops, there’s a release of energy. But, for the meat and potatoes of those concerts, I’m on my own. Of course, I’m not being told what to do, so it’s hard to think, well, how did that go over?” The rich, […]
Posted inReport
“A Call To Action, Disguised As A Symphony”
At the Barbican Centre in early May, the Royal Philharmonic Orchestra (RPO), the City of London Choir and London Voices premiered a 49-minute piece titled “Lim Cosmic Rhapsody.” Their recording of the piece, which featured pianist Jean-Yves Thibaudet, had just been released on Decca Classics, and the performance marked the first outing for score, published […]
Posted inBarTálk
The Clear White Light
In a staging of John Tavener’s “The Protecting Veil” at Clapton’s Round Chapel at Spitalfields Music Festival on Sunday, director Anna Morrissey led musicians and dancers from Trinity Laban Conservatoire of Music and Dance in an expressive set of stage pictures, loosely following the scheme of Tavener’s work. “The Protecting Veil” collects a set of […]