Considering the bleak happenings that have defined 2020, we can all be thankful for one grand unifying event that restored a little bit of our faith in humanity: Jonas Kaufmann released a Christmas album. Not just any Christmas album: a two-hour, 42-track deluxe set of everything from traditional Alpine tunes (“Es wird scho glei dumpa”) […]
Author Archives: Jeffrey Arlo Brown
… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York Times, and elsewhere.
Posted inReport
Big Breaks
Early this summer, Polish pianist Elżbieta Bilicka got some exciting news. Bilicka is 28 and lives in Logan, Utah, where she is on the piano faculty at Utah State University. At the time, the novel coronavirus was spreading rapidly throughout the United States and Europe, wreaking financial havoc on the performing arts. In the midst […]
Posted inInterview
Struggling with Time
In September, conductor and Alarm Will Sound artistic director Alan Pierson managed a bureaucratic feat of Olympian proportions: traveling, with COVID-19 restrictions in effect, from the United States to Germany. His essential business: conducting the rehearsals, premiere, and later performances of Hans Thomalla’s new opera “Dark Spring” at the Nationaltheater Mannheim. In early October, Pierson […]
Posted inInterview
Healthy Confusion
Alex Ross’s Wagernism: Art and Politics in the Shadow of Music was released in September to wide acclaim. In VAN, Alison Kinney described the book’s complex, nuanced approach to art and morality: “Ross recognizes, and reshapes, the world of Wagnerism as it is, for good and for bad, and makes room for the inadequacy of […]
Posted inRankings & Roundups
Every Scarlatti Sonata, Ranked
Domenico Scarlatti (1685–1757) wrote a lot of Sonatas. Fair enough: what else was there to do all day before Twitter was invented? Listening to all these pieces in 2020 proved another challenge. I’ll make no claim to have heard each work in monkish concentration, and I make no guarantees for the correctness of my observations. […]
Posted inReport
Facemasks, Plastic Shields, Infrared Thermometers
Asia is the future of classical music, goes the tired cliché repeated by such luminaries as Simon Rattle. As the COVID-19 pandemic wanes in places like Taiwan and the Republic of Korea, however, that banality becomes quite literally true. East Asian orchestras, supported by competent governments and resilient public healthy systems, are beginning to play […]
Posted inReport
temporarily unavailable
Leigh Mesh is associate principal bass at the Metropolitan Opera Orchestra. His wife Nancy Wu is associate concertmaster. They’ve been playing in the orchestra for a combined 58 years, and have both been making do without their regular incomes since March 31. On June 1, in the New York Times, the Met announced its earliest […]
Posted inReport
Can Met Musicians Survive The Furlough?
On March 19, as the COVID-19 virus spread rapidly in New York City, the Metropolitan Opera announced that it was suspending paychecks indefinitely for its orchestra, chorus, and stagehands, effective March 31. One month later, the members of its renowned orchestra are staring into the financial abyss. Just two days after the furlough was announced, […]
Posted inOpinion
19 COVID Theses
Not long after the last global pandemic, in which some 50 million people died from Spanish flu, a social change began to take place in living rooms across the world. With the dawn of radio, and later television, the parlor gatherings and upright pianos that had once been the focus of evening entertainment were gradually […]
Posted inProfile
The Sound Just After
Cenk Ergün’s two string quartets, “Sonare” and “Celare,” composed from 2014 to 2015, started out as one work, but they are diametrically opposed. “Sonare” is built from tightly intertwined, microtonal and microscopic rhythmic patterns which repeat, the brain glossing them with the illusion of momentum. The texture calls to mind metaphors of active animals: I […]