Asia is the future of classical music, goes the tired cliché repeated by such luminaries as Simon Rattle. As the COVID-19 pandemic wanes in places like Taiwan and the Republic of Korea, however, that banality becomes quite literally true. East Asian orchestras, supported by competent governments and resilient public healthy systems, are beginning to play […]
Author Archives: Jeffrey Arlo Brown
… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York Times, and elsewhere.
Posted inReport
temporarily unavailable
Leigh Mesh is associate principal bass at the Metropolitan Opera Orchestra. His wife Nancy Wu is associate concertmaster. They’ve been playing in the orchestra for a combined 58 years, and have both been making do without their regular incomes since March 31. On June 1, in the New York Times, the Met announced its earliest […]
Posted inReport
Can Met Musicians Survive The Furlough?
On March 19, as the COVID-19 virus spread rapidly in New York City, the Metropolitan Opera announced that it was suspending paychecks indefinitely for its orchestra, chorus, and stagehands, effective March 31. One month later, the members of its renowned orchestra are staring into the financial abyss. Just two days after the furlough was announced, […]
Posted inOpinion
19 COVID Theses
Not long after the last global pandemic, in which some 50 million people died from Spanish flu, a social change began to take place in living rooms across the world. With the dawn of radio, and later television, the parlor gatherings and upright pianos that had once been the focus of evening entertainment were gradually […]
Posted inProfile
The Sound Just After
Cenk Ergün’s two string quartets, “Sonare” and “Celare,” composed from 2014 to 2015, started out as one work, but they are diametrically opposed. “Sonare” is built from tightly intertwined, microtonal and microscopic rhythmic patterns which repeat, the brain glossing them with the illusion of momentum. The texture calls to mind metaphors of active animals: I […]
Posted inReport
Sounds From Nowhere
On September 15, 2001, the flutist Klaus Holsten was in the German village of Klein Jasedow, a short drive from the coast of the Baltic Sea, when a truck accidentally unloaded the herbicide Brasan onto 5,000 lemon balm plants. The organic herbs were growing in a garden belonging to Holsten; his wife Beata Seemann, a […]
Posted inRankings & Roundups
Beethoven’s 10 Worst Pieces, Ranked
I like Beethoven. After all, he is VAN’s namesake. I’ll admit to wildly conducting along with the Fifth, in my bedroom, at age 13—the first classical music I ever loved. But one of the things that makes Beethoven so likable is the uneven quality of his work. No perfectionist, you can absolutely tell when he […]
Posted inProfile
Withdrawal
In November 2014, Sony Masterworks released a documentary called “Cameron Carpenter: The Sound of My Life.” Intended to accompany the American organist’s album “If You Could Read My Mind,” released that August, the film included footage of Carpenter ripping off his T-shirt to reveal a sculpted chest; dancing at the once-legendary Berlin gay party Chantal’s […]
Posted inInterview
The Cloudily Divine
The English writer Alan Hollinghurst is one of the great chroniclers of musical experience and anal sex. His characters don’t simply hear music; they live with, through, inside it. I met Hollinghurst one bright afternoon at his home in Hampstead. VAN: There are many classical music-related jokes in your novels. In The Swimming-Pool Library, a […]
Posted inInterview
Artistic Personas
HarrisonParrott, the renowned artist management company, represents some 200 classical musicians in all categories, looked after by 72 people on staff. That makes the London-based agency a giant in a small but competitive field. On October 6, HarrisonParrott celebrated its 50th anniversary. Soon after, work brought founding partner Jasper Parrott to Berlin. We met one […]