In Jorge Luis Borges’s short story “The Aleph,” the narrator walks with a pompous poet down the Calle Bernardo de Irigoyen, in Buenos Aires. Later, he follows the man, whose wife he has fallen in love with, down to his basement, and experiences a single point in which all the mysteries of the “inconceivable universe” […]
Author Archives: Jeffrey Arlo Brown
… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York Times, and elsewhere.
Posted inHistory
Siegfried Idyll
Some babies are put in swaddling clothes. Others are born into families where expectations are so great that they begin to resemble similarly physical restrains. Siegfried Wagner, the only son of Richard, was born in 1869. Richard wrote the “Siegfried-Idyll” to mark the occasion, a work with and flashes of mesmerizing genius. As the male […]
Posted inReport
Temperature and Energy
The Fondamenta Sant’Eufemia, on the Venetian island of Giudecca, is a street that parallels the water. Its presence, rising out of the waves, feels almost arbitrary. Between storefronts numbered 610A and a chipping 655 is a lane where houses in red and gray give way to the same color scheme in smaller scales: the brick […]
Posted inInterview
Confinements
Round-number anniversaries of composers’ births and deaths can often feel arbitrary, excuses to keep programming the same music. Not Monteverdi’s 450th birth year. His operas are universal, important reminders that us humans have always had the same struggles, that we’ve been here before: 450 is a number that puts things in perspective. The conductor John […]
Posted inReport
Drastic and Vivid
In 2014, the Colorado Symphony put on a concert series called “Classically Cannabis,” attracting media attention from around the world. On November 8, 2016, California, Nevada, and Massachusetts followed in the Rocky Mountain State’s footsteps by passing referenda legalizing recreational marijuana. As decriminalization spreads through the U.S. and perhaps to Europe, will we see more […]
Posted inEssay
A Brief Guide to Mozart x Salieri Slash
Salieri has developed a habit of stealing Mozart’s scores. He looks at them in private, then puts them back the next day. One night Salieri attends an underground party and watches as Mozart ties up a woman. He feels a deep charge of erotic energy; he can’t sleep. Mozart confronts Salieri about the score-stealing, teasing. […]
Posted inInterview
What Is Indie Classical?
“During my dissertation research, I felt a certain mournful nostalgia for the world that I was investigating,” writes William Robin in “A Scene Without A Name: Indie Classical and American New Music in the 21st Century.” Reading it, I was surprised to find myself emotional at times too—a testament to Robin’s writing, which is precise […]
Posted inInterview
I Am The Wound
It took me a long time to even think about translating this interview. Helmut Lachenmann, the German master of a music often referred to as musique concrète instrumentale, a noisy, raw, gorgeous music, is almost as noted for his words as for his sounds. These words can seem inextricable from the language that he says […]
Posted inInterview
Detail and Plasticity
Piyawat Louillarpprasert’s composition “Tremble” unfolded as an almost literal translation of its title. The strings tapped col legno battuto, the woodwinds played rapid hairpin swells, single notes were articulated repeatedly and passed throughout the ensemble. At one point, the conductor compared a section to a “rainforest in Thailand.” It was August 25, a sunny morning. […]
Posted inReport
Buried
From 1991 to 1994, Carlos Sandoval, a man with thick grey hair, brown eyes, and wide shoulders, was an assistant to the American-Mexican maverick composer Conlon Nancarrow. It was a defining, if chaotic, time for Sandoval. “[Nancarrow] was always drinking, composing, reading, just throwing away books, newspapers, scores, whatever,” he said. Nancarrow’s tendency to discard […]