In 2015, the writer Lisa Bolekaja published a short story in Uncanny, a magazine for science fiction and fantasy, called “Three Voices,” inspired by the Morton Feldman piece of the same name. At the climax, a vocalist’s skin pigmentation drains from her body and her eyes pop out. “How could she sing with no head?” […]
Author Archives: Jeffrey Arlo Brown
… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York Times, and elsewhere.
Posted inInterview
Succession
I reached the French composer Tristan Murail on a Tuesday afternoon at his home in Provence. Since moving back to Europe from New York, where he taught at Columbia University for 13 years, Murail has built himself a kind of comfortable semi-retirement, though he is still composing and teaching: family, year-round good weather, separate studio, […]
Posted inInterview
Dissonant and Fabulous
From August 24 to 27, at the Mostly Mozart festival, the American choreographer Mark Morris will present a series of dances to music by the festival’s namesake; on September 8, he’ll show work set to Lou Harrison and Erik Satie at Texas State University. Speaking of Lou Harrison: call the Mark Morris Dance Center on […]
Posted inProfile
Mythology Of Our Time
This Tuesday, I spoke with John Adams by phone from his studio, in Northern California. He will be the Artist in Residence at the Berlin Philharmonic next season, and I thought I’d give him some unsolicited advice about techno music here. Does he listen to it? “Sometimes.” Berlin also has a reputation as a paradise […]
Posted inInterview
Artifacts
I studied music theory with the composer and writer Jakob Ullmann in Basel, from 2011–2013. For this interview, we met him at his home in Naumburg, Germany, on a rainy Sunday. Books on new music lined the corridor; books on religion lined his study. VAN: At one point, you used a professional biography that consisted […]
Posted inInterview
Voids
I met the composer Rebecca Saunders in her Berlin studio on a bright afternoon last week. Her new score was taped up around the wall; a page detached itself and floated to the ground. We started by talking about how we were not going to talk about her experiences as a women composer. “It’s an […]
Posted inInterview
Two Cities
For this interview, I reached Marin Alsop on Skype from Brussels, where she was conducting the finals of the Queen Elisabeth Competition for pianists. She usually performs a wide variety of repertoire—did she have to do the same piece over and over there? “Three Profokiev Twos, Three Rachmaninoff Threes, and otherwise only one of everything […]
Posted inEssay
Sound Color
In his gripping and provocative memoir Out of America: A Black Man Confronts Africa (1997), the journalist and former Washington Post Africa bureau chief Keith B. Richburg writes, “White people traveling in East Africa are rarely stopped, rarely questioned, rarely instructed to open their bags. They jump to the front of lines, they scream and […]
Posted inInterview
Changing The System
I met the composer Christian Wolff for this interview some time ago in Hamburg, Germany. There were a few other people in the room—from the festival klub katarakt, which had a commissioned a new work from him—and I asked Wolff if he felt like performing an impromptu version of his prose piece “Crazy Mad Love.” […]
Posted inReport
Doctor Baton
In pop culture, there are usually two ways of looking at the conductor’s baton. One way is as the focal point of his or her authority and magic: as Bernstein said, the stick as a “an instrument of meaning in its tiniest moment.” The other way is as a symbol of the conductor’s pretension and […]