On Sunday, a new opera by Beat Furrer, “Das grosse Feuer” (“The Great Fire”), premiered at the Zurich Opera House. Directed by Tatjana Gürbaca and based on a novel by the Argentine author Sara Gallardo, the work, also conducted by Furrer, tells the story of an Indigenous shaman named Eisejuaz, whose community and individual being […]
Author Archives: Jeffrey Arlo Brown
… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York Times, and elsewhere.
Posted inBreaking
A Freedom to Dream
Few classical music organizations in the United States are as vulnerable to the new “patriotic” diktats of President Donald Trump’s arts policy as White Snake Projects. Founded in 2018 by Cerise Lim Jacobs, a retired lawyer turned librettist, the Boston-based indie opera company’s mission is explicitly activist, with a longstanding emphasis on racial and cultural […]
Posted inInterview
The Yin and Yang
On February 7 and 9, the Handel+Haydn Society in Boston will perform works by the former under their artistic director, conductor, cellist and keyboardist Jonathan Cohen, in a program featuring the soloist Joélle Harvey and titled “Love, Handel.” (“Love, Handle”?) Recently, I met Cohen—whose interpretations of the Baroque and Classical repertoire are unusual for their […]
Posted inInterview
The Constant Dance
On February 20, Marin Alsop makes her debut conducting the Berlin Philharmonic at the orchestra’s Biennale, leading a premiere by Outi Tarkiainen alongside pieces by Brett Dean, Aaron Copland and Heitor Villa-Lobos on themes of nature and climate change. Last spring, she made her debut at the Metropolitan Opera, but this next gig has the […]
Posted inInterview
Puzzles and Courage
Masato Suzuki plays the harpsichord and leads the Bach Collegium Japan with a clean, pearly touch, creating performances with the delicacy of freshly trimmed and polished fingernails. The son of the ensemble’s founder, Masaaki Suzuki, Masato will lead the group’s latest European tour, beginning January 21. We spoke on video call about composing in the […]
Posted inInterview
So Everything
Earlier this week, Nina Guo, a soprano, composer and improviser originally from Pasadena, California, performed a piece of hers called “The Rides Are Going Up Again” at the Berlin experimental music venue KM28. The delicate work combined gentle, rhythmic spoken poetry with gauzy recorded vocalizations—a sound, I thought and Guo later confirmed, inspired by Morton […]
Posted inPlaylist
A U.S. Election Night Playlist
It’s that time again: When a handful of voters in a handful of counties in a handful of states in the United States decide the fate of planet Earth. The (once again) absurdly high stakes of the U.S. presidential election inspired me to make a playlist that doesn’t try to compete with substance use, CNN […]
Posted inInterview
The Experience Element
Listening to Magnus Lindberg’s most famous piece, the 1985 work for ensemble, electronics, and orchestra “Kraft,” is a little like getting slapped in the face in super slow motion: You know it’s going to knock you over, but you can’t help appreciating the texture and graceful arc of the hand. Like his colleagues Esa-Pekka Salonen […]
Posted inReport
Welcome to Shorworld
“Fortune is like a bird in a wood. If we know how to whistle to her she will come to us.” —from pianist Ashley Wass’s biography on X, unattributed I: The Amateur About two years ago, a renowned European musician received a call from his agency with an offer for an unusual gig. A Dubai […]
Posted inInterview
Open Garten
Walter Zimmermann’s music has a rare combination of stasis and flow. It wanders without being lost. It communicates calm curiosity and curious calm. Many composers have written music about nature, but Zimmermann’s is one of the few musics that seems as if nature itself could have created it. In April, he turned 75. On Friday, […]