Like some others on the 300-million-headed-hydra of hysteria known as Twitter, I was mildly irked on April 26 when the Columbia University linguist and New York Times op-ed writer John McWhorter published an essay titled “Classical Music Doesn’t Have to be Ugly to be Good.” Citing two recent books, McWhorter argues, among other things, that […]
Author Archives: Jeffrey Arlo Brown
... has been an editor at VAN since 2015. His work has also appeared in Slate, The Baffler, The Outline, The Calvert Journal, and Electric Lit. He lives in Berlin.
Posted inInterview
Dangerous Symbols
On April 14, the Russian keyboard player Alexei Lubimov and the singer Yana Ivanilova performed a concert at DK Rassvet, a venue in central Moscow which, similar to New York’s (Le) Poisson Rouge, hosts concerts and cultural events and doubles as a club. As Lubimov was performing playing a solo portion of the concert, with […]
Posted inInterview
Hit Me in the Belly
On March 18, the trumpet player Håkan Hardenberger celebrated his 60th birthday with a concert with the Swedish Radio Symphony Orchestra, where he performed Brett Dean’s trumpet concerto “Dramatis personae,” and smiled gamely (and sipped champagne) through an encore rendition of the theme from “Superman” in his honor. (Disclosure: As with my recent interview with […]
Posted inInterview
Renaissance State
A few weeks ago, I traveled to Stockholm to speak with English conductor Daniel Harding and hear a rehearsal and concert with the Swedish Radio Symphony Orchestra, which Harding has led since 2007. (Disclosure: The orchestra covered my flights and hotel for the trip.) Harding and I had lunch together at a restaurant so fancy […]
Posted inReport
“I Can’t Wait to Play Again”
The Youth Symphony Orchestra of Ukraine (YsOU) was founded in 2016 with support from German musical institutions and under the artistic direction of the conductor Oksana Lyniv. The orchestra is open to musicians ages 12 to 22, and is free for participants. The ensemble has toured in Germany, Austria, Croatia, and other countries, and planned […]
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The Light at the End
On February 13, English mezzo-soprano Alice Coote will perform the role of Mère Marie de l’Incarnation in Francis Poulenc’s opera “Dialogue des Carmélites” at the Zurich Opera. It’s her second production—and first set of full rehearsals—since the start of the pandemic, and there are still worries about COVID-19: The cast has made an agreement that […]
Posted inReport
For Better, For Worse
At the beginning of Ingmar Bergman’s “Scenes from a Marriage,” we meet Marianne and Johan, a couple being interviewed for a magazine story about successful relationships. In the next scene, Marianne asks Johan, “Do you believe two people can spend a lifetime together?” “It’s a ridiculous convention passed down from God knows where,” he answers.“A […]
Posted inInterview
Luxurious Boredom
When countertenor Anthony Roth Costanzo was 11 years old, he performed in a Broadway production of “The Sound of Music” alongside capital-P Personality Marie Osmond. Out of the goodness of her heart, Osmond offered the boy a deep discount on her range of dolls, a line she developed with the television shopping channel QVC. Costanzo […]
Posted inInterview
The Fault in our Chords
Born in 1985, the Swedish composer Lisa Streich writes music of engrossing timbral and dramaturgical subtlety, often using traditional instruments prepared or modified by small, homemade, motorized devices. Listening to her pieces, I sometimes feel like I’ve been shrunk down to molecular size and placed inside a music box where noisy mechanics blend with pitched […]
Posted inInterview
Infinite Crescendo
I met Viennese pianist Rudolf Buchbinder one recent evening in his dressing room at the Alte Oper in Frankfurt, where he was performing his “Diabelli Project” program: variations on the short and somewhat banal waltz by contemporary composers (Jörg Widmann, Lera Auerbach, Max Richter, Toshio Hosokawa) and historical musicians (Liszt, Czerny, Schubert) in the first […]