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Rules of Engagement

In Wieland Hoban’s composition “Hora’ot Pticha Be’esh (Rules of Engagement I),” from 2013-14, we hear distorted microtones, low glissandi, plucking, instrumental squealing. This music accompanies testimony by a Sergeant First Class in the Armored Corps of the Israeli Defense Forces during Operation Cast Lead in Gaza, in the winter of 2008-9. The soldier speaks in […]

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Faked Silence

An Interview with Salvatore Sciarrino By · Title Image Eugen Bracht “The Shore of Oblivion” (Public Domain), via Wikimedia Commons · Date 7/5/2018 Listening to Salvatore Sciarrino’s “Sei Capricci” for solo violin might best be compared to spending 20 minutes in a butterfly garden. The music rustles, flickers, alights for the briefest moment somewhere, and […]

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The Human Comedy

An Interview with Norman Lebrecht By · Title Image © Istvan Bielik · Date 6/28/2018 “The dirty world printed in the newspapers is our own,” wrote Thomas Bernhard in his final novel, Extinction. The same might be said of Norman Lebrecht’s blog Slipped Disc, perhaps the only publication to write about classical music the same […]

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Simon Said

Simon Rattle grits his teeth and flares his nostrils. He raises his silver eyebrows, opens his mouth in vowel shapes, closes his eyes again in an ecstatic expression, bounces his baton off the air. These are his ways of expressing how the music makes him feel. They are also the tics that bother some of […]

Posted inEssay

Border Lament

For a second or two it could be a playground: Tiny voices cry. Then they keep crying, panting for air from the crying, their voices wavering from the exhaustion from the crying and the panting. “I don’t want them to stop my father,” a child says. “I don’t want them to deport him.” The response […]

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Sudden Shattering

In May, a new staging of Handel’s “Semele” premiered at the Komische Oper in Berlin. Allan Clayton, in coattails, a three-piece suit, and pink socks, played a sprightly Jove, who has just fallen in love with a mortal woman. When he sang the lines “Where’er you tread the blushing flow’rs shall rise / And all […]

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A Memory of Violence

An Interview with Mark Barden By · Title Image Polka Dots by Yayoi Kusama (Public Domain, via Pixabay) · Date 5/31/2018 The Berlin-based, American composer Mark Barden writes music that is both technically refined and irresistibly gripping. He has an ear for rhythmic propulsion and microtonal chords that make sense and sound beautiful without falling […]

Posted inOpinion

Music of the Middle Degree

One night this spring, a composition by Jörg Widmann made me cringe. Mitsuko Uchida was playing a program of Schoenberg, Schubert, and the 44-year-old German composer at the Pierre Boulez Saal in Berlin. His piece, “Sonata facile” (2016), quoted the Mozart original extensively, interrupting it at times with modified dissonant bass lines, interjections of clusters […]

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The Calibrated Voice

The voices of singers tend to call forth abstract, flowery adjectives. But when you hear the baritone Matthias Goerne, it’s easy to point out the specific moments that distinguish his art. As Wotan from Wagner’s “Ring,” he sings about the castle of the gods as if it were a tender memory from Schubert’s “Winterreise.” In […]