Danish String Quartet: “Prism IV” (ECM) Wild Up: “Julius Eastman Vol. 2: Joy Boy” (New Amsterdam) “Time present and time past are both perhaps present in time future,” writes T.S. Eliot at the beginning of his Four Quartets. The work was in part inspired by Beethoven’s String Quartet Op. 132, which Eliot found “quite inexhaustible” […]
Author Archives: Olivia Giovetti
That Moment of Thought
A quote that lives in my phone’s screenshots: “The truest program note of all time is… ‘This is what I was thinking about and what grew out of that moment of thought.’” Sadly, I saw it presented without attribution and have struggled to find a source since, but it’s one I go back to often—especially […]
An Elegant Matrix
Patricia Kopatchinskaja, Joonas Ahonen: “Le monde selon George Antheil” (Alpha Classics) Florent Ghys: “Ritournelles” (Cantaloupe) Florent Ghys: “Mosaïques” (Cantaloupe) Latvian Radio Choir, Sigvards Kļava: “John Cage: Choral Works” (Ondine) The fact that you are reading this article right now owes much to a request posed to composer George Antheil in 1940: “Hedy Lamarr wants to […]
Still Somewhere
Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow: “Saint-Saëns: Piano Concertos Nos. 1 & 2” (BIS) Joanna Goodale: “Debussy in Resonance” (Paratay) Lavinia Meijer: “Are You Still Somewhere?” (Sony) As the composer himself tells the story, when Camille Saint-Saëns was six years old, he composed a romance for a singer. The 12-bar work left its interpreter’s father […]
A Little Tenderness
Reinis Zarins: “Pēteris Vasks: Solo Works” (Ondine) Nicky Spence, Christopher Glynn: “Schubert: The Fair Maid of the Mill” (Signum) Overheard last week in Tempelhof Field—a public park fashioned, in true Berliner style, out of an abandoned airport: “I hate it here.” “Berlin?”“No, this plane of existence.” A relatable feeling. Fortunately, there’s a new Pēteris Vasks recording. […]
Not Even Past
Kronos Quartet, Rinde Eckert, Vân-Ánh Võ: “Mỹ Lai” (Smithsonian Folkways Recordings) David T. Little, Royce Vavrek, The Choir of Trinity Wall Street, NOVUS NY, Mellissa Hughes: “Am I Born” (Bright Shiny Things) Back in September 2016—in an only slightly saner world—novelist Lionel Shriver gave a keynote at the Brisbane Writers Festival. The festival’s organizers had […]
For Your (Re)consideration
Patricia Petibon, La Cetra, Andrea Marcon: “La Traversée” (Sony) BBC Symphony Orchestra, Sakari Oramo, Peter Donohoe: “Dora Pejačević: Piano Concerto & Symphony” (Chandos) Giulia Semenzato, Kammerorchester Basel: “Angelica Diabolica” (Alpha) We’re in the middle of a renaissance for historically-maligned women: Tonya Harding, Monica Lewinsky, Britney Spears, Lorena Bobbitt, and Pamela Anderson are among those whose […]
Song of the Goats
Watching a Yorgos Lanthimos film invariably leads to esoteric questions. Via “Dogtooth”: Why are you calling an armchair a “sea”? From “The Lobster”: If you had to be irreversibly changed into an animal, which one would you pick? And, thanks to Lanthimos’s new short, “Bleat,” co-commissioned by the Greek National Opera and cultural nonprofit NEON: […]
Time Lost and Found
Czech Philharmonic, Semyon Bychkov, Chen Reiss: “Mahler: Symphony No. 4” (Pentatone) Vicky Chow, Jane Antonia Cornish: “Sierra” (Cantaloupe) If you know anything about Proust’s mammoth In Search of Lost Time, it’s a moment from the first installment, Swann’s Way. In it, Proust describes the moment of unlocking an old memory of Sunday mornings spent with […]
Moth Elegies
If there was ever a case for establishing a middle ground between separating the art from the artist and not, it’s Othmar Schoeck. Born in 1886 by the shores of Lake Lucerne, Schoeck found himself in the unfortunate position of being a dyed-in-the-wool Romantic working in a world that was trending inexorably towards the modern […]