“Somehow, after all, as the universe ebbs towards its final equilibrium in the featureless heat bath of maximum entropy, it manages to create interesting structures,” wrote James Gleick in his popular exploration of chaos theory. Nature’s natural tendency is to form patterns. Conversely, the universe teems with randomness and dissipation. “But randomness with direction can […]
Author Archives: Olivia Giovetti
Posted inInterview
Building That Foundation
There’s an inescapable delight that comes with listening to the Notorious B.I.G.’s posthumous 1997 single “Mo’ Money, Mo’ Problems,” wrapped up as the song is in Diana Ross samples, the Clinton-fueled optimism of ’90s America, and Biggie’s unapologetic lyrical grandstanding (“Jig on the cover of Fortune, 5-double-O. Here’s my phone number, your man ain’t got […]
Posted inOpinion
Disregard All Information
Singer-songwriter Tom Lehrer introduces his 1965 song “So Long, Mom (A Song for World War III)” in a style familiar to classical music fans. “This year we’ve been celebrating the hundredth anniversary of the Civil War, and the fiftieth anniversary of the beginning of World War I, and the twentieth anniversary of the end of […]
Posted inI Know, But
I Know, But: The “1812 Overture”
When Tolstoy began working on what would become War and Peace, his 1869 opus that moves fluidly between historical novel and philosophical treatise, he initially had a completely different story in mind. Rather than craft a constellation of parallel and intersecting histories between 1805 and 1820 (with a particular focus on Napoleon’s 1812 invasion of […]
Posted inInterview
What Happened to Marina Poplavskaya?
In 2010, the New Yorker ran a profile of Marina Poplavskaya, bylined by Gay Talese and running in excess of 6,500 words. Talese chronicled his time on the road with the Russian opera singer (whose 2007 Met debut as Natasha in “War and Peace” had been the legendary journalist’s conversion to opera fandom), beginning in […]
Posted inOpinion
Music, in Theory
In November 2019, music theorist Philip Ewell gave a plenary at the annual meeting for the Society for Music Theory. Titled “Music Theory’s White Racial Frame,” Ewell’s discussion of equity in American music theory was supported by the example of Heinrich Schenker, whose documented racist ideologies have historically been historically overlooked by scholars. Ewell, who […]
Posted inInterview
The Right Questions
A recurring dream that I’ve had for the last several years: My grandmother, a Syrian refugee who spent the last 15 years of her life in the grips of progressive dementia, shows me an attic accessible through a crawlspace in her bedroom closet. It contains a trove of books, journals, letters, and photographs from our […]
Posted inEssay
A Most Violent Year
The enduring image of Beethoven, 250 years after his birth: His hair is untamed. His temperament is as mercurial as his mane. He is, both as an artist and a man, uncompromising and volatile; his whole personality wrapped up in the fateful knock of the first four notes of his Fifth Symphony, or the two […]
Posted inReview
We Got Drunk and Listened to Jonas Kaufmann’s Christmas Album
Considering the bleak happenings that have defined 2020, we can all be thankful for one grand unifying event that restored a little bit of our faith in humanity: Jonas Kaufmann released a Christmas album. Not just any Christmas album: a two-hour, 42-track deluxe set of everything from traditional Alpine tunes (“Es wird scho glei dumpa”) […]
Posted inReport
Long Time Passing
An old Pete Seeger song that ran through my head in the autumn of 2016 ends with the lines: “And by union what we will can be accomplished still. / Drops of water turn a mill; singly none.” In 2020, I’m listening to folk singer Lee Knight sing that same song (“Step by Step”) on […]