Lise Davidsen, Leif Ove Andsnes: “Grieg” (Decca) Christian Tetzlaff, Lars Vogt: “Beethoven: Sonatas, Op. 30” (Ondine) Adam Tendler, Jenny Lin: “Liszt: Harmonies poétiques et religieuses” (Steinway) A line from Phoebe Stuckes that has (for lack of a better word) stuck with me in the turnover of a new year: “I want to be stinking drunk […]
Author Archives: Olivia Giovetti
Posted inPlaylist
A Maria Ewing Playlist
Two months ago, almost to the day, actress Rebecca Hall saw her directorial debut, “Passing,” premiere on Netflix. It was a personal project for Hall, whose mother—the soprano Maria Ewing—had a family history that mirrored the plot of the 1929 novel on which Hall based her film. In fact, Hall learned more about that family […]
Posted inRankings & Roundups
Every Classical Singer’s Christmas Album, Ranked
I love Christmas: to begin with. There is no doubt whatever, about that. The register of my joy at this time of the year is secured by the glühwein, the television specials, the tree markets, and the carols. I love Christmas like Kanye loves Kanye. Mind! I don’t mean to say that I know, of […]
Posted inEssay
Emotional Anatomies
In his forthcoming book, The Impossible Art, composer Matthew Aucoin likens his early immersion in opera not to the pageantry of going to a live performance, but rather to the solitude of reading a book. “Operas, like the young-adult fiction I was reading at the time, felt to me like interior adventures rather than extravagant […]
Posted inPlaylist
A “Faust” Playlist
“The more the Faust myth changes, the more it endures,” writes Peter Werres in his introduction to Lives of Faust. “It is our myth, and we must go on confronting it.” Since first appearing in a chapbook in the late 1500s, the story of a man who sells his soul to the devil in exchange […]
Posted inPlaylist
An Edita Gruberová Playlist
The death of a classical musician is a moment of loss, but it’s also a moment of rediscovery. Especially when the musician in question is someone like Slovak soprano Edita Gruberová, whose death in Zürich this past Monday, October 18, was an opportunity for fans and houses alike to pay tribute to some of her […]
Posted inInterview
Aural Histories
In his essay “The Paradoxical Theory of Change,” Gestalt psychiatrist Arnold Beisser wrote that “change occurs when one becomes what he is, not when he tries to become what he is not.… It does take place if one takes the time and effort to be what he is.” I quote this line a lot, but […]
Posted inInterview
Good Old-Fashioned Lover Boy
For female opera singers, singing a male role is nothing out of the ordinary. Stephanie Blythe, however, thrives in the out-of-the-ordinary. That’s not to discount the majority of her career: Blythe has sung the coloratura lines of Handel and Rossini with whip-smart technique and brought a rioja-hued boldness to more orotund roles like Fricka in […]
Posted inPlaylist
A “Divine Comedy” Playlist
One of the more morbid traditions of classical music is its focus on death anniversaries: 1991 was a big year for Mozart (particularly in the business of Requiems). The cancellation of so many #Beethoven250 concerts in 2020 was half–but only half–jokingly bright-sided by the fact that all of the programs could be resurrected for 2027. […]
Posted inInterview
Death as a Metaphor
Missy Mazzoli is sitting in one of Ingmar Bergman’s bedrooms when she joins our Zoom meeting earlier this summer. At the time, the 40-year-old composer was finishing a monthlong artist’s residency at the Bergman Estate at Fårö—an island in the Baltic Sea off the coast of Sweden where the director lived and filmed parts of […]