In 2010, the New Yorker ran a profile of Marina Poplavskaya, bylined by Gay Talese and running in excess of 6,500 words. Talese chronicled his time on the road with the Russian opera singer (whose 2007 Met debut as Natasha in “War and Peace” had been the legendary journalist’s conversion to opera fandom), beginning in […]
Author Archives: Olivia Giovetti
Posted inOpinion
Music, in Theory
In November 2019, music theorist Philip Ewell gave a plenary at the annual meeting for the Society for Music Theory. Titled “Music Theory’s White Racial Frame,” Ewell’s discussion of equity in American music theory was supported by the example of Heinrich Schenker, whose documented racist ideologies have historically been historically overlooked by scholars. Ewell, who […]
Posted inInterview
The Right Questions
A recurring dream that I’ve had for the last several years: My grandmother, a Syrian refugee who spent the last 15 years of her life in the grips of progressive dementia, shows me an attic accessible through a crawlspace in her bedroom closet. It contains a trove of books, journals, letters, and photographs from our […]
Posted inEssay
A Most Violent Year
The enduring image of Beethoven, 250 years after his birth: His hair is untamed. His temperament is as mercurial as his mane. He is, both as an artist and a man, uncompromising and volatile; his whole personality wrapped up in the fateful knock of the first four notes of his Fifth Symphony, or the two […]
Posted inReview
We Got Drunk and Listened to Jonas Kaufmann’s Christmas Album
Considering the bleak happenings that have defined 2020, we can all be thankful for one grand unifying event that restored a little bit of our faith in humanity: Jonas Kaufmann released a Christmas album. Not just any Christmas album: a two-hour, 42-track deluxe set of everything from traditional Alpine tunes (“Es wird scho glei dumpa”) […]
Posted inReport
Long Time Passing
An old Pete Seeger song that ran through my head in the autumn of 2016 ends with the lines: “And by union what we will can be accomplished still. / Drops of water turn a mill; singly none.” In 2020, I’m listening to folk singer Lee Knight sing that same song (“Step by Step”) on […]
Posted inPlaylist
A Screaming Song is Good to Know…
One of the most memorable panels from Ruth Krauss and Maurice Sendak’s 1960 book Open House for Butterflies features the line: “A screaming song is good to know in case you need to scream.” I’ve thought about that line a lot in the 4,932 days since 2020 began, and I am ready to sing like […]
Posted inProfile
Once More Unto the Breach
On New Year’s Eve, 1991, the Berlin Philharmonic gave its annual New Year’s concert in the city’s Schauspielhaus. The Wall was still fresh in the minds of Berliners from both the former West and East; the two cities had only resorbed as one a little over a year earlier. Under the baton of Claudio Abbado, […]
Posted inEssay
On the Other Hand
In the days following Leon Fleisher’s death, at the age of 92, I’ve found myself listening to his Bach. They’re few compared to the pianist’s more notable repertoire of Beethoven and Brahms, but two can be found on his 2004 album, “Two Hands.” It was a recording that was also something of a rebirth (how […]
Posted inHistory
Engineered Consent
In 1905, two years after his Met debut and two minutes into an interview with the New York Times, Enrico Caruso came tantalizingly, presciently close to coining the term “fake news.” Over oysters and martinis, the first question launched, the Neapolitan tenor looked at his interviewer incredulously: “Dolls? Dolls? Ma che? What dolls do you […]