Posted inI Know, But

I Know, But: Andrea Bocelli

Even by internet standards, opera fans have a gift for hyperbole. A soprano isn’t “good”; she “is the divine prima donna assoluta” or “shines eternal light into descending trills, chromatic scales, and laser Cs.” She doesn’t “miss a note”; she is “a HORROR SHOW!!! The WOBBLE is out of control.” But when American soprano Jennifer […]

Posted inI Know, But

I Know, But: “Appalachian Spring”

With Trump’s tanks rolling down Pennsylvania Avenue and combat-fatigued foot soldiers guarding masked ICE agents in Los Angeles, who’s listening to “Appalachian Spring”? How does Aaron Copland’s World War II-era patriotic evocation of the American pastoral strike our ears in an era of xenophobic, gun-toting vigilantism, when small towns are propagandized as the last stand […]

Posted inPages Turned

For the Most Part

“As I have said on many occasions,” the composer Alexander Goehr begins the fourth chapter of his book with Jack Van Zandt, “I believe that, for the most part, the period of time when a teacher or mentor has an influential relationship with a young composer is short and typically compressed into a time span […]

Posted inPages Turned

Through the Rubble

There’s a decent case for Felix Mendelssohn being the most important figure in the history of Western classical music, though primarily for the music he programmed, rather than for the music he wrote. Answering the impassioned cry of Bach’s biographer Johann Nikolaus Forkel for an increased visibility of masterpieces if music wished to be taken […]

Posted inStuff I’ve Been Hearing

In These Times

“Beethoven” It’s always fun when an album nearly slips past your radar until it becomes the catalyst for controversy. This isn’t a slight to Alice Sara Ott, whose early recordings of Chopin’s complete waltzes and Beethoven’s “Waldstein” Sonata are among my favorite interpretations. More likely, her Beethoven compendium—including a live performance of the First Piano […]

Posted inPages Turned

Confrontations

“It’s a bit of a shame that there is no confrontation anymore,” Nuria Schoenberg Nono reflected in an interview with Wolfgang Schaufler, a publisher at Vienna’s Universal Edition. “Everything is in order today; [audiences] only have ­enthusiasm for the great interpreters, and that is right—but the music itself often has little or nothing to do […]

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