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Silent Valley

Last month, the librettist and Anglican priest Alice Goodman told the New York Times of her text to the opera “The Death of Klinghoffer,” “Anything I might say about the controversy”—she was accused of anti-Semitism in her depictions of Jewish characters—“would pour gasoline on the embers.” She went on, “I doubt I’ll ever write anything […]

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Luminescence

To say about an artist that you “either love them or hate them” is a cliché. Talking about Brian Ferneyhough requires more precision. The absolute mastery of his work is unquestionable. So rather than loving or hating the music, you either worship it or reject its premise absolutely. It’s difficult to talk to a composer […]

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Shape and Silence

Recently, the JACK Quartet played a series of concerts at the Whitney Museum, sounding the sparse celestial beauty of John Cage’s “Thirty Pieces for String Quartet” among the floating colors and shapes of Alexander Calder’s mobiles. Listeners wandered through the gallery featuring an exhibition of Calder’s works, aptly titled “Hypermobility,” focusing on the sound and […]

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Fissures

By · Title Image © Harald Hoffmann · Date 08/24/2017 I met up with the English composer Philip Venables one recent evening at an outdoor bar in Berlin, where he’s been living for the last eight years. He wore a dark cap, glasses, overalls, and a rainbow-striped t-shirt. Over beer and cigarettes, and while two […]

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Cross Pollination

Recently, I spoke with the keyboardist Kristian Bezuidenhout by phone. His demeanor was gentle without being apologetic: while ironing his shirts, he talked about the music of Bach with immense sincerity. But his programming often includes music by other composers, particularly Bach’s contemporaries. I was interested to find out why. VAN: In an upcoming concert, […]

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Walking on Wire

Skyping me from his house in Amsterdam, keyboardist and conductor Richard Egarr took time out of his vacation to answer some questions for VAN. Richard’s characteristic honesty and sense of humor really came out in the interview, as well as his enthusiasm and passion about the different mediums in which he performs and conducts. I […]

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A Continuum

When I first emailed Uri Caine to set up this interview, he was headed to Barcelona for a concert. When we finally spoke over the phone a week or so later, he’d just driven back to New York from the Newport Jazz festival. He’s a busy musician, performing across the world (before Newport he was […]

Posted inInterview

Fill the Cracks with Gold

Recently, I spoke with the performer, composer, dancer, and musician Elizabeth A. Baker over Skype, from her home in Florida. A large fold-out picture of Schubert and some of her own paintings hung on the walls behind her. We talked about commercial music, the discourse on diversity, and going to the sex shop for composition […]

Posted inInterview

The Discovery Phase

The Center for Black Music Research (CBMR) is an independent research unit of Columbia College Chicago devoted to the documentation, research, preservation, and dissemination of information about the history of black music on a global scale. I recently spoke with Melanie Zeck, Research Fellow with the Center, over Skype. Zeck joined the CBMR in 2005, […]

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