Posted inReport

“A Call To Action, Disguised As A Symphony”

At the Barbican Centre in early May, the Royal Philharmonic Orchestra (RPO), the City of London Choir and London Voices premiered a 49-minute piece titled “Lim Cosmic Rhapsody.” Their recording of the piece, which featured pianist Jean-Yves Thibaudet, had just been released on Decca Classics, and the performance marked the first outing for score, published […]

Posted inReport

The Struggle Bus

The walls of Berlin’s Schiller Theater have seen their fair share of artistic leaders. The theater opened in 1907 and was rebuilt in 1951, after World War II, under Boleslaw Barlog. He stayed well into the 1970s, fashioning the Schiller Theater into one of West Berlin’s leading venues. In 1975, Hans Lietzau took over from […]

Posted inReport

On Track

On the Sunday before Christmas, a friend invited me to church in Llano, Texas. Music poured from a classic Allen electronic organ, the go-to of small congregations everywhere. Unexpectedly tasty registration, flawless playing—how did this tiny town come by such a good organist? But the bench was empty. Invisible hands finished the intro and the […]

Posted inReport

Human Values

Like the rest of the world, the classical music community also spent most of this week reacting to the news of another Trump presidency. All this week, we’ve been fielding responses from musicians in America, asking for their immediate reaction. Here is a selection of them. Seth Parker Woods, cellist “The work truly begins now. […]

Posted inReport

“I’m Willing to Commit the Crime of Music”

Icy silence is all that’s left of Afghanistan’s musical terrain. When the Taliban rose to power in 2021, accounts of immolating instruments and violent oppression of musicians foreshadowed censorship of virtually all forms of self-expression—an intimately harrowing circumstance for Afghan musicians.  The Taliban rule of 1996–2001 was characterized by similarly strict censorship, including a wide […]

Posted inReport

Relaxing in the Pressure Cooker

On YouTube, there’s a video of a 1973 concert with the Royal Concertgebouw Orchestra and Bernard Haitink performing Beethoven’s Third Piano Concerto with soloist Artur Rubinstein. It’s an extraordinary concert to hear, between the young Haitink, the 86-year-old Rubinstein, and the orchestra’s signature sound (consistently described as “homogeneous and transparent at the same time”). The […]

Posted inReport

Tainted History

In the spring of 2001, Suzanne Farrin auditioned for the Juilliard School’s prestigious composition program. The night after her audition, she says that Christopher Rouse, a faculty member at the time, tried to kiss her. “I sort of twirled out of his arms and ran away,” Farrin said.  Farrin wanted to join Rouse’s doctoral studio […]

Verify your email

We'll send a verification code to .

Sign up for newsletters

Get the best of VAN Magazine directly in your email inbox.

Sending to:

Gift this article